即刻觀影
劇情賞析
編輯推薦
守護(hù)惡魔
Mac Van Khoa,Mai Cát Vi,Quoc Truong故事設(shè)定在20世紀(jì)90年代末的越南西南部鄉(xiāng)村，講述了年輕女子Lan（Ph??ng Thanh飾）在父親去世后，前往一位名叫Danh（M?c V?n Khoa飾）的鰥夫家中擔(dān)任女傭。她很快發(fā)現(xiàn)這座房子隱藏著可怕的秘密：神秘的死亡事件接連發(fā)生，村莊中流傳著關(guān)于“守財(cái)靈”的傳說——一種通過黑暗儀式召喚的靈體，用于守護(hù)財(cái)產(chǎn)，但會(huì)對陌生人造成致命威脅。Lan與一位名叫S?n（Qu?c Tr??ng飾）的恐怖小說作家聯(lián)手，試圖揭開這些離奇事件背后的真相。
暗夜良人
何乙軒,李運(yùn)佳,周舟,黃娟,楊坤銳,李延,王淵,王正佳,劉錦,李一明,張依珂,季李,田雨,周小鵬,許之糯,呂一丁,張京海,徐福來,常征,孔慶三,邊防,杜伯,蘇強(qiáng),王俊潾,高果,孫博,劉建軍,梅景洪,李少林,高玉林,張業(yè)福,蘇佳男,楊瑞承,吳梓銘,田甲右,劉欣剛,岳陽民國年間，張千月（楊坤銳飾）新婚之后進(jìn)省城投奔同鄉(xiāng)王明堂（李運(yùn)佳飾），不成想晚上房間內(nèi)發(fā)現(xiàn)床下有一個(gè)死尸，大批警察帶走了旅社老板宋成安（周舟飾）、老板娘翠姐（黃娟飾）、住客顧滿倉（王淵飾）、孫興福（王正佳飾）、梁程思（劉錦飾）、門房老胡（季李飾）及房間內(nèi)的張千月與王明堂。鄉(xiāng)下的新婚妻子白秀英（何乙軒飾）與老父親張廣林趕至省城聽審，老父親接受不了這個(gè)嚴(yán)重的打擊氣絕身亡。這里面有不可告人的秘密。傳說冤魂索命，這個(gè)事情不簡單。一間旅館、一個(gè)女尸、一群平民引發(fā)了一個(gè)意料之外的故事，展現(xiàn)了民國時(shí)期，灰暗的年代，軍閥割據(jù)，官匪勾結(jié)，生活在社會(huì)底層的各種普通百姓，掙扎在水深火熱之中，各種生活的無奈與社會(huì)現(xiàn)實(shí)的交織，人為了生存所做的一切掙扎.....一個(gè)投親的少女靈芝（張依珂飾）引發(fā)了當(dāng)?shù)貝喊灾焯炀茫ɡ钛语棧┢とㄟ叿里棧埲虤⒙?，牽扯無辜百姓，勾結(jié)當(dāng)?shù)鼐L康大鵬（周小鵬飾）利用貪官（高果飾）歪曲事實(shí)，殘害無辜百姓，法官（常征飾）（杜伯飾）命懸一線。關(guān)聯(lián)人李婉兒（李一明飾）四散逃命，江湖騙子（孔慶三飾）渾水摸魚。更牽動(dòng)大批愛國志士（許諾飾）（張玥飾）刺殺大帥龐金龍（張京海飾）督軍孫連勝（呂一?。榘傩丈暝﹫?bào)仇！這一切的來龍去脈都由一名說書人（徐福來飾）娓娓道來。
三傻大鬧寶萊塢
阿米爾·汗,卡琳娜·卡普爾,馬達(dá)范,沙爾曼·喬希,奧米·瓦依達(dá),博曼·伊拉尼,莫娜·辛格,拉杰夫·拉賓德拉納特安本片根據(jù)印度暢銷書作家奇坦·巴哈特（Chetan Bhagat）的處女作小說《五點(diǎn)人》（Five Point Someone）改編而成。法蘭（馬德哈萬 R Madhavan 飾）、拉杜（沙曼·喬希 Sharman Joshi 飾）與蘭喬（阿米爾·汗 Aamir Khan 飾）是皇家工程學(xué)院的學(xué)生，三人共居一室，結(jié)為好友。在以嚴(yán)格著稱的學(xué)院里，蘭喬是個(gè)非常與眾不同的學(xué)生，他不死記硬背，甚至還公然頂撞校長“病毒”（波曼·伊拉尼 Boman Irani 飾），質(zhì)疑他的教學(xué)方法。他不僅鼓動(dòng)法蘭與拉杜去勇敢追尋理想，還勸說校長的二女兒碧雅（卡琳娜·卡普 Kareena Kapoor 飾）離開滿眼銅臭的未婚夫。蘭喬的特立獨(dú)行引起了模范學(xué)生“消音器”（奧米·維嘉 Omi Vaidya 飾）的不滿，他約定十年后再與蘭喬一決高下，看哪種生活方式更能取得成功?！ ”酒@孟買電影博覽獎(jiǎng)最佳影片、最佳導(dǎo)演、最佳配角（波曼·伊拉尼）、最佳劇本等六項(xiàng)大獎(jiǎng)，并獲國際印度電影協(xié)會(huì)最佳影片、最佳導(dǎo)演、最佳劇情、最佳攝影等十六項(xiàng)大獎(jiǎng)。
黑天鵝1942
泰隆·鮑華,瑪琳·奧哈拉,拉爾德·克雷加,托馬斯·米切爾,喬治·桑德斯,安東尼·奎恩,喬治·祖科故事背景設(shè)定在16世紀(jì)的英國，海盜首領(lǐng)莫根船長（拉爾德·克雷加 Laird Cregar 飾）受到國王查理的特赦，并被任命為牙買加總督。一位年輕而勇敢、機(jī)智而英俊的年輕人沃林（泰隆·鮑華 Tyrone Power 飾）決定跟隨莫根船長前往牙買加。然而，莫根過去的下屬、狡猾而殘忍的里奇船長（喬治·桑德斯 George Sanders 飾）卻拒絕接受莫根的領(lǐng)導(dǎo)，繼續(xù)在海上進(jìn)行搶劫商船的行為。為了消滅海盜，沃林率領(lǐng)船隊(duì)出海，在航行途中偶然與里奇的“黑天鵝號(hào)”，并和其他兩艘船發(fā)生了遭遇戰(zhàn)。面臨險(xiǎn)境，沃林不得不機(jī)智地假裝前來投降并投靠里奇。通過巧妙周旋和激烈戰(zhàn)斗，里奇最終受到了懲罰，他的“黑天鵝號(hào)”徹底被摧毀。與此同時(shí)，貴族小姐瑪格麗特（瑪琳·奧哈拉 Maureen O'Hara 飾）對沃林從厭惡逐漸轉(zhuǎn)變?yōu)榫磁?，最終產(chǎn)生了愛慕之情，展開了一場曲折而離奇的愛情故事。
天堂孤影
馬蒂·佩龍帕,卡蒂·奧廷寧,薩卡里·庫斯曼嫩環(huán)衛(wèi)公司垃圾車駕駛員尼卡德（Matti Pellonp?? 飾）的老同事計(jì)劃籌資組建自己的環(huán)衛(wèi)公司，邀請尼卡德技術(shù)入股，但老同事不久急病突發(fā)身亡，尼卡德的生活重回一潭死水狀態(tài)。尼卡德心有不甘借酒滋事，在被拘留的時(shí)候結(jié)識(shí)日后的同事米卡拉。米卡拉偶而會(huì)不識(shí)趣的妨礙尼卡德暗地追求超市售貨員伊羅娜（Kati Outinen 飾），但他仍是尼卡德最可依賴的朋友。伊羅娜為報(bào)復(fù)超市經(jīng)理偷走了錢盒，尼卡德幫助她找到服裝店的新工作，服裝店經(jīng)理夾到尼卡德與伊羅娜的關(guān)系中間，但尼卡德最終奪回了自己的愛人?！ ”酒@1987年芬蘭電影尤西獎(jiǎng)最佳影片獎(jiǎng)。是導(dǎo)演郭立斯馬基（Aki Kaurism?ki）無產(chǎn)階級(jí)三部曲的第一部。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.