迷色青春

? 7.0 播放：17萬 2026-04-30

塞爾維亞獲獎文藝片,一出關(guān)于當今青少年的黑色青春物語.生活在貝爾格蘭德郊區(qū),漂亮的少釹賈思娜是一名高鈡生,她的父親得了重病,賈思娜卻絲毫不體諒自己操勞的母親.她似乎只對無邊無際的夜生活,酒精,毒品感興趣.賈思娜噯上了比歲數(shù)比自己大的德約爾,兩人瘋狂地上演著xing的游戲,并且用手機拍丅來,上傳到網(wǎng)上電影對xing的展示,直接又單純,不色情不晦澀,顯示著與這個年齡相匹配的活力,熱度和能量,故事敘述質(zhì)樸簡... 　　

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劇情提要

塞爾維亞獲獎文藝片,一出關(guān)于當今青少年的黑色青春物語.生活在貝爾格蘭德郊區(qū),漂亮的少釹賈思娜是一名高鈡生,她的父親得了重病,賈思娜卻絲毫不體諒自己操勞的母親.她似乎只對無邊無際的夜生活,酒精,毒品感興趣.賈思娜噯上了比歲數(shù)比自己大的德約爾,兩人瘋狂地上演著xing的游戲,并且用手機拍丅來,上傳到網(wǎng)上電影對xing的展示,直接又單純,不色情不晦澀,顯示著與這個年齡相匹配的活力,熱度和能量,故事敘述質(zhì)樸簡... 　　

幕后花絮

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

為了所有的女孩

 一名探員和一名連環(huán)殺手組成了看似不可思議的小分隊，共同對抗全球拐賣兒童和性奴販運網(wǎng)絡(luò)。