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恐影檔案
Thomas Dekker,Robert Englund,Fiona DourifA doctor works to cure patients suffering from crippling phobias by placing them inside his invention which induces and controls hallucinations.
我們是伯利恒
多洛蕾斯·方齊,卡米拉·普拉阿特,勞拉·帕雷德斯,朱麗葉塔·卡迪納利,Sergio Prina,路易斯·馬辛,凱撒·特龍科索,Lili Juarez,Ruth Plaate,Gaia Garibaldi,Susi Andersen,Eugenia Blanc,Daniel Cabot,Camila Caram,Aquiles Casabella,Edgardo Castro,Tamara Dawidowicz,Pilar Mestre Del Bono,Fabio Di Tomaso,Sofía Diam2014年，阿根廷圖庫曼?。灰幻贻p女性因劇烈腹痛入院，當(dāng)時她并不知道自己已有身孕。醒來時，她發(fā)現(xiàn)自己被手銬銬在輪床上，周圍全是警察。她被指控自行墮胎，在拘留兩年后，因加重殺人罪被判處八年監(jiān)禁?！ D庫曼省的一位女律師將為她的自由而戰(zhàn)，數(shù)千名女性與眾多組織紛紛聲援，她們團(tuán)結(jié)起來，試圖改變歷史的走向。
蝸?；@球隊
輪椅籃球經(jīng)常與殘疾人運(yùn)動聯(lián)系在一起。然而，輪椅籃球是一項適合殘疾人和非殘疾人的運(yùn)動。受20世紀(jì)90年代被稱為“球場上的狐貍”的國家隊教練李元宇及其門徒教練韓薩炫對輪椅籃球的奉獻(xiàn)精神的啟發(fā)，這部真人動作運(yùn)動故事講述了一位中年籃球明星，一位傲慢的籃球天才，以及因事故而擁有圓形鋼腿的男子。他們一起通過輪椅籃球團(tuán)結(jié)起來，追求自己的夢想。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鬼店另有主
薩拉·帕克斯頓,帕特·希利,凱莉·麥吉利斯克萊兒（莎拉·派克斯頓 Sara Paxton 飾）和盧克（派特·希利 Pat Healy 飾）是一家有著悠久歷史的洋基旅舍（Yankee Pedlar）的店員，無盡長夜中，兩人插科打諢，海闊天空神聊，順便應(yīng)付各種各樣的客人。這家旅舍以鬧鬼著稱，傳說曾有個名叫瑪?shù)铝铡W馬利的新娘，在旅舍舉行婚禮的當(dāng)天上吊自殺。店主害怕影響生意，于是偷偷藏起尸體長達(dá)三天時間。事發(fā)后店主引起民眾的憤慨，而鬧鬼的傳言也不脛而走。克萊兒與盧克架起攝像機(jī)拍攝旅社的超自然畫面，并試圖探訪鬼魂的真面目，這個糟糕的決定將他們帶入萬劫不復(fù)…… 本片榮獲2011年尖叫電影節(jié)（Screamfest）最佳配樂獎、2011年多倫多午夜電影節(jié)特別獎觀眾選擇最恐怖影片。
7天之前
往日的承諾如今被當(dāng)作債務(wù)來索要，塔里和卡達(dá)爾必須揭開母親安貢的秘密在七天結(jié)束前拯救自己的性命。