上校夫人的年輕侄女們 Die Nichten der Frau Oberst (1980)

★ 0.9 播放：56萬(wàn) 更新：2026-05-04

Madame Yanne is still a very young widow of an officer. She takes care of her pretty nieces Florentine and Juliet, who are currently living out their lesbian obsessions and are currently more engaged with each other than turning their heads around the lusty male world. As a stallion, Farmhand Erik was only too happy to jump at the two nieces. Inspector Simon has long been keeping an eye on Florentine and not only wants to get her to bed, but even marry. Mrs. Colonel would like to test his qualities as a lover in the horizontal for her niece. Also for Julia Yannes, a painter, is the suitable husband in the field of vision but she would like to test once before, whether he could make her happy in the future.

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劇情簡(jiǎn)介

Madame Yanne is still a very young widow of an officer. She takes care of her pretty nieces Florentine and Juliet, who are currently living out their lesbian obsessions and are currently more engaged with each other than turning their heads around the lusty male world. As a stallion, Farmhand Erik was only too happy to jump at the two nieces. Inspector Simon has long been keeping an eye on Florentine and not only wants to get her to bed, but even marry. Mrs. Colonel would like to test his qualities as a lover in the horizontal for her niece. Also for Julia Yannes, a painter, is the suitable husband in the field of vision but she would like to test once before, whether he could make her happy in the future.

導(dǎo)演精選

隱市英雄

喜劇/動(dòng)作 　　出品公司：愛奇藝 　　制作公司：愛奇藝、天藝星杰影視 　　出品人：龔宇 　　總監(jiān)制：王曉輝 　　總制片人：楊海濤 　　行政監(jiān)制：王兆楠 　　監(jiān)制：張家豪 　　導(dǎo)演：崔俊杰 　　制片人：楊洋、李洋、於夢(mèng)迪、張瀟子、王茜 　　執(zhí)行制片人：谷雷

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

非傳統(tǒng)浪漫關(guān)系

情感博主祝君好（朱顏曼滋 飾）與在民政局工作的龔璽（任彬 飾），兩個(gè)本該最懂“愛”的人，卻在520這天領(lǐng)了離婚證。面對(duì)毀不掉的婚紗照和分不清的牽絆，兩人一拍即合，決定開啟一段“非傳統(tǒng)”的高效關(guān)系——互給對(duì)方介紹對(duì)象！然而相親局逐漸失控，龔璽重逢了自己曾經(jīng)的相親對(duì)象紀(jì)小舒（趙小棠 飾），祝君好則遇上了前任向涵（王天放 飾），還有“八離世家”的霸總和“懂王”附體的弟弟。這對(duì)“離婚搭子”在互坑與互助之間，開始重新審視自己的親密關(guān)系，也意外踏上了一段關(guān)于“愛”的二次探索。