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富貴逼人來
彼得·塞勒斯,雪莉·麥克雷恩,茂文·道格拉斯,杰克·沃登,理查德·貝斯哈特Y計劃
韓韶禧,全鐘瑞,金新綠,鄭英珠,金圣喆,李在均,柳始我草莓之夜2013
竹內(nèi)結(jié)子,西島秀俊,小出惠介,宇梶剛士,丸山隆平,津川雅彥,渡邊一計,遠(yuǎn)藤憲一,高島政宏,生瀨勝久,武田鐵矢,染谷將太,金子統(tǒng)昭,金子賢,鶴見辰吾,石橋蓮司,田中哲司,三浦友和,大澤隆夫,橫山美雪血腥姐妹會
科林·伊格斯菲德,迪倫·斯派比利,米婭·羅斯·弗蘭普頓,蘭迪·庫卓,萊克西·阿特金斯,Lala Kent,Sarah McDaniel,雷卡·雷內(nèi),梅莉爾·羅斯,泰勒·喬恩·奧爾森,凱瑟琳·勒,塔尼婭,謝伊·巴克納,詹妮弗·提圖斯,Natali Yura鬼鏡
基弗·薩瑟蘭,寶拉·巴頓,Cameron Boyce,Erica Gluck,艾米·斯馬特金發(fā)
巖田剛典,白鳥玉季,門脅麥,山田真步,田村健太郎,內(nèi)田慈同類推薦
星光繼承者/僵尸高校生:繁星匯聚演唱會
瑪利亞·貝克,瑪拉基·巴頓,凱莉·坎特羅爾,喬舒亞·科利,梅格·唐納利《殭屍高校生》與《星光繼承者》的世界在此交會,帶來一場盛況空前的演唱會!兩部作品的卡司將首度合體登臺演出。由瑪莉亞·貝克、馬拉奇·巴頓、凱莉·坎特拉爾、約書亞·科利、梅科南·奈夫、達(dá)拉·蕾妮、芙蕾雅·史凱領(lǐng)銜,更有瑞塔·歐拉、麥洛·曼海姆、梅格·唐納利、利亞曼尼·塞古拉等特別嘉賓驚喜現(xiàn)身。
雉岳山
尹均相,金叡園,延濟(jì)旭,裴格林Five members of the mountain bike club, Sangaja. To ride a mountain bike, we head to Chiaksan Mountain, where Min-joon's Uncle villa is located. After arriving at Chiaksan Mountain and enjoying the ride, strange things began to happen to the party…. And something unidentified chasing them! A desperate survival game for Sangaja's party to survive on Chiaksan Mountain begins.
三人新世界
林子祥,鄭裕玲,張曼玉,周慧敏,關(guān)秀媚,梁佩瑚,文雋,金燕玲,許紹雄經(jīng)歷了上一集的風(fēng)風(fēng)雨雨,艾利克斯(林子祥 飾)和朱麗娥(鄭裕玲 飾)總算是兩情相悅走到了一起。他們決定在新年之后攜手步入婚禮的殿堂,然而,在此節(jié)骨眼上,艾利克斯被公司緊急召喚加班,兩人本來溫馨愉快的假期生活泡了湯?! 桃粒◤埪?飾)是艾利克斯的同事,兩人雙雙被派往巴黎出差。愛人不在身邊,這讓朱麗娥感到十分沒有安全感,再加上表哥(許紹雄 飾)的挑撥離間聽風(fēng)就是雨,心態(tài)爆炸的朱麗娥決定也前往巴黎,看好自己的未婚夫。一連串的誤會讓朱麗娥和喬伊之間的關(guān)系跌破了冰點(diǎn),她和艾利克斯的感情也因此產(chǎn)生了裂痕。
食人晚宴
Alexandra Lesch,Kristiana Rohder,Lara BaumA group of models find themselves trapped in a factory inhabited by a cannibalistic degenerated family.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster