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夢(mèng)鄉(xiāng)2019
芬恩·科爾,瑪格特·羅比,崔維斯·費(fèi)米爾,凱瑞·康頓,達(dá)比·坎普,羅拉·科克,Stephen Dinh,Tim D. Janis,Pab Schwendimann,格雷森·貝里,加內(nèi)特·赫德蘭,Hans Christopher,安迪·卡斯特利奇,Joe Berryman,保羅·布特,埃布·羅提么,雅各布·布朗,弗蘭西斯·李·麥克凱恩,布魯斯·麥金托什這部新片名為《夢(mèng)鄉(xiāng)》（Dreamland），由曾在圣丹斯電影節(jié)摘得評(píng)審團(tuán)特別獎(jiǎng)的導(dǎo)演Miles Joris-Peyrafitte執(zhí)導(dǎo)。故事背景設(shè)定在20世紀(jì)30年代的美國(guó)，經(jīng)濟(jì)蕭條和沙塵暴肆虐著美國(guó)的普通百姓，一個(gè)15歲的男孩為了高額的賞金開始漫漫追捕路，他的目標(biāo)正是瑪歌特·羅比飾演的女劫匪。
與世隔絕
Davina Reeves,Maria AbramovaFour friends wanted to get away from it all for a birthday celebration in a remote country house, but when a mysterious injured man turns up on their doorstep telling tales of a city ravaged by a mysterious epidemic and the looters who have pursued him, the friends rally to help. As the night progresses, it becomes clear that all is not as it seems, plunging the friends into a battle for survival that challenges their deepest fears.
泥娃娃
楊祐寧,蔡思韻,張軒睿,周采詩,郭雪芙,陳為民,李冠毅,高山峰,黃建群泥娃娃，泥娃娃，一個(gè)泥娃娃?? 童謠的背後，隱藏著神秘驚悚的故事。在遊戲公司工作的旭川（楊祐寧 飾），為開發(fā)一項(xiàng)新的恐怖VR遊戲，意外將一尊來自兇宅現(xiàn)場(chǎng)的殘破泥娃娃帶回家，沒想到懷有身孕、身為文物修護(hù)師的妻子慕華（蔡思韻 飾）對(duì)其產(chǎn)生異常執(zhí)念，不斷進(jìn)行修復(fù)。隨著家中怪事頻傳，慕華狀態(tài)也越來越虛弱，旭川無計(jì)可施，輾轉(zhuǎn)求助通靈驅(qū)魔人阿生（張軒睿 飾），而泥娃娃背後深埋的駭人祕(mì)密，也隨之浮出水面??
浪浪人生
黃渤,范丞丞,殷桃,常遠(yuǎn),李嘉琦,劉雪華,付航,孫藝洲,張本煜,易小星,小愛,鄧恩熙,李治良,劉西蒙,郝瀚,杜夢(mèng)涵,莊園曾經(jīng)叱咤小鎮(zhèn)的“大哥”黃榮發(fā)（黃渤 飾）如今嘴硬腿軟，開啟人生困難模式，但他和家人都沒有被命運(yùn)的風(fēng)浪裹挾。兒子黑狗達(dá)（范丞丞 飾）看似是黃家唯一“淡人”，暗地卻密謀如何發(fā)家又“治父”；妻子陳梨珍（殷桃 飾）樣樣全能橫掃困難，是小鎮(zhèn)人盡皆知不太好惹的“媽系超人”；膽大手“黑”的女兒黃嬌嬌（李嘉琦 飾）和“神”通廣大的阿太（劉雪華 飾）也各出奇招笑料百出。逆境當(dāng)前，一家唯有興“瘋”作浪跟生活貼臉硬剛，沒準(zhǔn)真能讓他們絕地翻盤？
致命錄像帶94
安娜·霍普金斯,Sean Patrick Dolan,德魯·維爾戈維爾,達(dá)克斯·拉維納1994年，一隊(duì)野蠻的緝毒警察來到一處倉庫，并在其中發(fā)現(xiàn)大量邪教信徒和散播的錄像：①霍莉和攝影師去下水道探尋神秘生物，卻在這遇上此生難忘的恐怖經(jīng)歷。②守靈教堂內(nèi)，守夜人平靜守夜，但風(fēng)暴來臨后會(huì)發(fā)生什么？③印尼科學(xué)家妄圖創(chuàng)造人機(jī)合一的神話，卻不料一隊(duì)特警早以虎視眈眈 ④一隊(duì)反社會(huì)份子盯上國(guó)會(huì)大廈打算引爆大廈，卻不料他們的計(jì)劃將會(huì)迎來怎樣的變數(shù)？鏡頭之外，死亡的魔爪正緩緩伸向小隊(duì)成員…
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster