在線播放
劇情簡介
擁有藍(lán)色雙眼的女忍者圣(原紗央莉主演),武藝高強(qiáng),卻從不相信任何人。某日撞見雇主六車大人的部下犬飼正在竊取藏寶庫內(nèi)的寶物:傳說中長生不老的秘傳卷軸,激戰(zhàn)之下圣負(fù)傷逃走,卻反被犬飼誣陷為竊賊,遭到六車大人派兵追殺,千鈞一髮之際天主教徒清太郎救了她,朝夕相處下,兩人逐漸愛上對(duì)方,圣也卸下了武裝的心防,然而好景不常,當(dāng)?shù)卮竺蝗暽縿?dòng),以;西洋邪教之稱抹黑天主教,追殺教徒,為了保護(hù)心愛的人,圣決定負(fù)死一戰(zhàn)!
同類好片
Kill Tony:笑鬧德州
托尼·欣奇克利夫神探伽利略 禁斷的魔術(shù)
福山雅治,北村一輝,新木優(yōu)子,村上虹郎,森七菜,渡邊一計(jì),澤部佑,朝倉亞紀(jì),中村雅俊,鈴木浩介,平原テツ鐵拳硬漢
徐少強(qiáng),郜喬,邱彬永遠(yuǎn)十六歲
凱拉·奈特莉,科洛·莫瑞茲,山姆·洛克威爾,艾麗·坎伯爾,Tiya Sircar,格瑞辰·摩爾,凱特琳·德弗,馬克·韋伯,丹尼爾·祖瓦圖,Dylan Arnold,Tony Doupe,Basil Harris,Jasmin Savoy Brown,Sara Coates,Sara Lynne Wright阿爾菲1966
邁克爾·凱恩,謝利·溫特斯,米利塞特·馬丁,茱莉亞·福斯特,珍·愛舍,雪莉·安妮·菲爾德,維維恩·莫堅(jiān)特,伊蓮諾·布羅,丹霍姆·艾略特,阿爾菲·巴斯,格雷厄姆·斯塔克,穆雷·梅爾文,西德尼·塔夫勒左拉傳
保羅·穆尼,蓋爾·桑德加德,約瑟夫·希爾德克勞特,格洛麗亞·霍頓,唐納德·克里斯普人氣佳作
導(dǎo)演精選
妃子笑
弘治七年,皇上在全國范圍內(nèi)大選妃子。來在同村的兩位少女鴛鴦(黃婉君 飾)和朱朱(黃婉伶 飾)相助于危險(xiǎn)的夜路,遂互稱姐妹,共赴皇宮。 對(duì)于少女們來說,如果成功當(dāng)選皇妃,無論富貴貧賤都可飛上枝頭當(dāng)鳳凰,自然競爭激烈,條件也很苛刻。不光自身?xiàng)l件要好,還要經(jīng)過嚴(yán)格的培訓(xùn)與層層考試。但更加殘酷其實(shí)是她們各自之間的勾心斗角、爾虞我詐。 面對(duì)種種的困難與危險(xiǎn),鴛鴦與珠珠能否闖過難關(guān)?而面對(duì)這殘酷的競爭,她們的友情是否會(huì)改變呢?
判決2025
Raka, a court security officer, and his pregnant wife, Nina, celebrate her success in passing the bar exam. While they have a rare evening of fine dining to savor the moment, their joyous celebration is shattered when Nina is found brutally murdered. The investigation quickly identifies Dika as the prime suspect, leading to his swift arrest. However, with the support of a shrewd and manipulative lawyer, Timo, the trial takes an unexpected turn that Raka could never have anticipated. As the trial spirals towards an unjust outcome, Raka resolves to overturn the corrupt verdict and seek justice for his late wife.
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster