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象山發(fā)光事件
小沈陽(yáng),王唯,張登平,倪景陽(yáng),田理,董芷依,胡涂,李歐,孟和烏力吉十年前的一次超自然發(fā)光事件導(dǎo)致張鵬（小沈陽(yáng) 飾）的好友神秘失蹤，十年后，張鵬跟隨攝制組重返事發(fā)地尋找真相。當(dāng)他們?cè)俅蝸?lái)到“發(fā)光禁地”時(shí)卻頻繁遭遇離奇恐怖的事件，認(rèn)知逐漸錯(cuò)亂、軀體不斷惡化、理性逐步崩壞，禁忌的駭人真相，將不可逆地摧毀一切……光源不再象征安全，請(qǐng)遠(yuǎn)離所有發(fā)光體！
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
去海邊的路
原田琥之佑,麻生久美子,高良健吾,唐田英里佳,菅原小春本片改編自同名漫畫(huà)，背景設(shè)定在提倡支持藝術(shù)家移居的海邊城市，講述了悠哉生活的14歲美術(shù)社員奏介和他的伙伴們，在奇怪的“藝術(shù)家”們來(lái)來(lái)常常的海邊街道上，一邊做著自己喜歡的東西，一邊用無(wú)限的想象力讓世界變得愉快。
愛(ài)上平行時(shí)空的你
米拉·埃爾紹娃,尤里·納索諾夫,安東·瓦西利耶夫,柳德米拉·阿爾捷米娃,安東·阿爾特梅夫,埃爾尚·阿列斯克羅夫,納德茲達(dá)·伊萬(wàn)諾娃,羅扎·哈伊魯林娜,瑪麗亞·克羅托娃,尤里·李,康斯坦丁·梅爾茲利金,葉夫根尼·塔庫(kù)耶夫艾莉莎搬進(jìn)了圣彼得堡一間寬敞的公寓，公寓里的鏡子卻開(kāi)始出現(xiàn)故障。它向這位年輕的房客展現(xiàn)了同一個(gè)公寓的平行世界，只不過(guò)，在這個(gè)平行世界里生活的不是艾麗莎，而是和她搶這間公寓的派對(duì)狂人伊萬(wàn)。這兩位年輕人能否認(rèn)清真愛(ài)？他們又能否讓兩個(gè)世界相連，在現(xiàn)實(shí)中相遇，只為簡(jiǎn)單地觸碰彼此？
鬼馬智多星
林子祥,麥嘉,泰迪·羅賓,姚煒,曹達(dá)華,岑建勛,曾志偉30年代的香港，社局動(dòng)蕩，黑幫林立。香港大亨胡老頭這日找到私家偵探哎吆（林子祥 飾），要求其調(diào)查胡太太，因?yàn)樗X(jué)得胡太太這些天表現(xiàn)奇怪。哎吆調(diào)查后發(fā)現(xiàn)，原來(lái)是壞蛋神父卡邦派（麥嘉 飾）人勾搭上了胡太，意欲偷取胡老頭價(jià)值連城的股票。他們這一計(jì)劃遭哎吆撞破后，四處追殺哎吆?！ “ミ和雒H，又發(fā)現(xiàn)了胡老頭其實(shí)并非什么香港大亨，只是一名老千，他來(lái)香港的目的就是要騙卡邦等流氓的錢(qián)。胡老頭邀請(qǐng)哎吆入伙，一起設(shè)局騙卡邦。和好友探長(zhǎng)羅賓（泰迪?羅賓 飾）商量后，哎吆決定來(lái)個(gè)將計(jì)就計(jì)。
沖繩小芙蓉
蔵下穂波,余貴美子,照屋政雄,平良富,NESMITH,亀島奈津樹(shù),和田聡宏,登川誠(chéng)仁座落沖繩的「Hotel Hibiscus」，雖然名為酒店，卻是只有一間客房的古舊民宿。里面住著小三女生美惠子和她的家人。美惠子活潑好動(dòng)，每天和朋友一起去探險(xiǎn)。某日，美惠子放學(xué)回家時(shí)，遇到了倒在地上的青年，并把他帶回Hotel Hibiscus… 導(dǎo)演中江裕司繼《Nabbie's Love》四年后的新作，《Hotel Hibiscus》繼續(xù)以沖繩為舞臺(tái)。電影改編自Nakasone Miiko的同名漫畫(huà)，描寫(xiě)小三女生美惠子的冒險(xiǎn)和成長(zhǎng)。飾演美惠子的蔵下穗波是在3千名沖繩小學(xué)生中挑選出來(lái)，合演者包括平良Tomi、沖繩民謠歌手照屋政雄、余貴美子等。