即刻觀影
劇情賞析
編輯推薦
公子嬌
伊雷,雪梨,周聰,劉克宣周公是個70多歲的富翁，因為妻子不能生育，想娶個年輕的姑娘生個兒子繼承產(chǎn)業(yè)。一次偶然的機會他相中了一個名叫帶水的漁家女，于是買了好多時髦的東西送給帶水的父母作為聘禮。而正值懷春佳齡的帶水卻看上了周的手下——風度翩翩的夏公子，夏公子以捧帶水做明星的托口哄住她。怎料帶水舉止粗俗，品性不羈，忍受不了嚴格的瘦身美體的訓練。而一直暗戀帶水的炒蜆仔公子嬌眼看著心上人執(zhí)迷不悟地做富貴癡夢，展開了一場諧趣層生的奪妻大戰(zhàn)……
天山玉女劍
黃秋燕,溫兆倫,楊麗菁,關秀媚,湯鎮(zhèn)業(yè),惠英紅,關海山該劇主要講述了古代傳奇女俠李四娘的一段經(jīng)歷。揮劍斷水,水更流,血濺四方,收刀看山,山在天,玉女情仇。 明嘉歷年間,從長白山到廣東參加武林大會的武林頂尖高手敖龍帶著師弟王虎,在客棧輕易擊敗“山西五虎”，得到暗中觀看的客棧老板娘李四娘的親膩，敖龍經(jīng)不起媚香軟骨、自投羅網(wǎng)的與李四娘一夜快活風流......次日，敖龍帶領徒兒到玉女山莊找到莊主楊夫人報兩年前的 之仇，一翻驚心動魄的打斗后，最后師弟王虎感覺事有蹊蹺，即提出在武林大會中解決兩家的仇怨。 武林大會在盟主齊大俠的主持下進行，敖龍此時并沒有在大會上提出與楊夫人的仇怨，使楊夫人頓感詫異。而有兩個為家中雞鴨偷搶的人來到武林大會要求解決，齊大俠頓時感到殺機重重一場武林浩劫可能即將到來。夜間晚宴，果然有人提出重選新盟主，武林群雄力推齊大俠連任，只有敖龍反對，導致所有人不歡而散，群雄聚宴，酒后的李四娘不惜肌膚相親、百般挑逗引誘少林大師，讓大師神魂顛倒......此舉恰被一道姑瞅到，頓然芳心蕩漾、意亂魂迷，大膽飛紙傳情約大師林中風流......當晚，敖龍與李四娘合謀用計在客棧將齊大俠害死，搶走“秘籍”，并嫁禍楊夫人。師弟王虎出于仁義，決心幫助楊夫人。楊夫人的老公楊充見王虎與自己老婆接角頻，頓起疑心，暗中監(jiān)視。恰恰王虎誤入閏房撞見在洗浴中的楊夫人......被楊充當場遇到，楊充急火沖天，一氣之下挾女兒憤然離開山莊，那知半路被走火入魔的敖龍擒住。一場郊外的血腥混戰(zhàn)，讓本不平靜的江湖再掀風云，武林的浩劫終于爆發(fā)了.........
我們的天空，我們的河
Mahmoud Abu Abbas,Myriam Abbas,達麗娜·阿爾·喬迪,Sami Al-Ali,Labwa Arab,Basim Hajar,Amed Hashimi,Muslem Hassoun,扎伊納布·約達,Ali Kareem,Zaydun Khalaf,Kholod Mohamad,Suzan Muneam,Siham Mustafa,Badia Obaid,Kamaran Raoof,Karam Thamir...
河童之子
本·麥肯錫,博亞娜·諾瓦科維奇,索耶·瓊斯,馬爾科姆·富勒,小杉健,Ethan Herschenfeld,阿莎·埃奇森,大衛(wèi)·吉布森,Rebecca Nelson,詹姆斯·亞當·林,橫田実優(yōu),大衛(wèi)·萊文,Larry Bull,Jeff Applegate,秋野松明,扎克·新里影片講述了一位母親和兩個兒子在日本度假的故事。他們的小兒子差點淹死在湖里，事故發(fā)生后不久，父母意識到他們的兒子出了問題。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
脆弱的男人
亞辛·侯伊卡,歐萊雅·阿瑪拉,拉斐爾·奎納德,Bilel Chegrani,迪翁-克巴·塔庫,蒂法因·戴維斯,霍莉·法特瑪,吉列爾莫·吉茲,薩米拉·塞迪拉,Olivier Soula,Marion Guerrero,Tigrane Avedikian,Juliette Cardinski,Thomas Bricmont,Roméo De Lacour,Marvin Pellegrino,艾瑪·貝內(nèi)斯坦,Aurélien Marra,塔薩迪特·曼迪,Atmen KelifAz 在 Sète（法國南部）的一個牡蠣養(yǎng)殖場工作，他非常熟悉牡蠣，曾打開過成百上千個，一天，他決定藏一枚戒指在其中一只牡蠣中，向他的女友 Jess 求婚，但是對方?jīng)]有答應。不過幸運的是，他的一群朋友已經(jīng)準備好幫他重新振作起來。 Az travaille chez un ostréiculteur à Sète. Les hu?tres il conna?t ?a par c?ur, il les ouvre par centaines. Dans l’une d’elle, Az décide de cacher une bague, pour demander sa petite amie Jess en mariage. Elle ne dit pas oui. Heureusement, sa bande d’amis est prête à tout pour l’aider à sortir la tête de l’eau.