發(fā)情日志

評(píng)分：5.2 播放：01萬(wàn) 更新：2026-05-02

第一名獲獎(jiǎng)樂(lè)透愛(ài)好者！她負(fù)責(zé)為他手術(shù)的選擇？塔巴克batjiman日常照顧老人和辛勤工作是一個(gè)新的護(hù)士晴子是與生俱來(lái)的光彩。后來(lái)有一天，有蘇珊的情人晴子由紀(jì)夫當(dāng)選為400萬(wàn)日元彩p大檢查... 　　

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伊莫琴·普茨,索拉·伯奇,詹姆斯·貝魯什,湯姆·斯圖里奇,查理·卡里克,杰瑞米·安·瓊斯,厄爾·凱夫,蘇珊娜·弗拉德,米迦勒·埃普,金·戈頓,亞歷山大·約翰遜,埃斯梅·艾倫,安娜·維托夫斯基,安東·利特維諾夫,阿麗娜·利特維諾娃,多米尼克·加布里埃爾·羅塞蒂,哈爾·韋弗,埃莉諾·哈恩,彼得·倫德?tīng)?瑪麗娜·斯尼加

莉迪婭從小在父親的暴力陰影下長(zhǎng)大，游泳是她唯一的逃避方式。她憑借獎(jiǎng)學(xué)金進(jìn)入大學(xué)，卻在成年后陷入毒癮、混亂的性關(guān)系和失去孩子的痛苦中。她的人生如同水流，時(shí)而湍急、時(shí)而沉寂，無(wú)法掌控方向。在最深的低谷中，莉迪婭開(kāi)始寫(xiě)作。文字成為她的呼吸，也成為她重新定義自己的方式。她不再只是受害者，而是講述者，是創(chuàng)造者。通過(guò)回望過(guò)去，她一點(diǎn)點(diǎn)拼湊出破碎的自我，也在寫(xiě)作中找到了勇氣。 　　影片改編自莉迪亞·尤克納維奇所著回憶錄。

拼圖殺機(jī)

池承炫,李世美,姜其永,楊明憲,英健,方秀衡,姜多賢,宋東煥,元賢俊,???,趙潤(rùn)鎬

　　擁有一切的男子都俊，妻子和小孩都在國(guó)外生活，也因此他的疑心病變得更重了。某日他一個(gè)人喝完酒徘徊時(shí)，遇到了一位謎樣的女子世蓮，陷入她的魅力之中的都俊也因此卷入了某起事件……

正義聯(lián)盟：無(wú)限地球危機(jī)（中）

詹森·阿克斯,斯坦娜·卡蒂克,吉米·辛普森,吉第安·艾朵,盧·戴蒙德·菲利普斯,詹妮弗·黑爾,特洛伊·貝克,阿爾迪斯·霍吉,威爾·弗里德?tīng)?梅格·唐納利,岑勇康,馬特·蘭特爾,達(dá)倫·克里斯,連姆·麥肯泰爾,艾托·艾桑多,吉奧弗瑞·阿倫德,杰米·格雷·海德,凱沙·夏普,馬特·瑞安,喬納森·亞當(dāng)斯

　　PG-13　　An endless army of shadow demons bent on the destruction of all reality swarms over our world and all parallel Earths. The only thing opposing them is the mightiest team of metahumans ever assembled. But not even the combined power of Superman, Batman, Wonder Woman, Green Lantern and all their fellow superheroes can slow down the onslaught of this invincible horde. What mysterious force is driving them? And how do the long-buried secrets of the Monitor and Supergirl threaten to crush our last defense?

公寓2024

斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,Manika

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.