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仇殺病房
千虎珍,柳海真,徐孝琳在某臨近海濱的醫(yī)院內(nèi)，住著一個無依無靠的中年男子金珉昊（千浩振 飾）。由于左半邊身體失去知覺，加上腦神經(jīng)受損，因此他無時無刻不想了結(jié)這苦難的人生。這一日，醫(yī)院送來了另一位沒有任何親眷的病號，他的名字叫做樸尚樺（劉海鎮(zhèn) 飾），因腦部受損而失去了記憶，與金安排在同一個加護(hù)病房。樸的到來，激起金珉昊心中無限的波瀾。這兩個男人似乎曾有著無限的仇恨與瓜葛，致令金想盡各種辦法要置其于死地，而漸漸恢復(fù)記憶的樸也將同樣的仇恨傾瀉于金珉昊?！ ∨c此同時，神秘的白醫(yī)生一反常態(tài)對兩個男人進(jìn)行特殊關(guān)護(hù)，并且用匪夷所思的治療方法幫助他們恢復(fù)健康。這一切的背后，似乎隱藏著更大的謎團(tuán)……
家族秘密2025
金惠恩,金范來,金寶侖隨著妍靜突然宣布重返職場， 她們發(fā)現(xiàn)自己離家的時間明顯增多。 之前一直疏遠(yuǎn)她心愛的鋼琴的米娜， 開始回避家人。 之前一直回避運(yùn)動的鎮(zhèn)秀，突然每個假期都離家去鍛煉。 隨著秘密越積越多，溝通也變得支離破碎， 三人變得疏遠(yuǎn)卻又親近。 然后，有一天，一次偶然的相遇， 將妍靜、米娜和鎮(zhèn)秀的秘密串聯(lián)了起來…… 噓！當(dāng)你打開這扇秘密之門， 一個非常特別（？）的家庭故事就此展開！
絕命空間站
Julia Franz Richter,喬治·布萊頓,馬克·伊瓦涅2056 - Company soldier Hannah and scientists Gavin and Dimitri are on board of RUBIKON space station researching an algae project aimed to provide humanity with a permanent supply of oxygen and food. But all of a sudden the earth beneath them disappears in a brown, toxic fog and all contacts are broken - are they the last survivors? Should they leave the safe station, risk their lives by flying back? What is worth living for, what is worth dying for?
近戰(zhàn)
杜夫·龍格爾,吉娜·梅,邁克爾·帕爾,巴沙爾·拉海爾,詹姆斯·查爾克身陷囹圄的特種兵麥克（杜夫·龍格爾 Dolph Lundgren 飾）終于迎來了被保釋的那一天，然而，令麥克沒有想到的是，保釋他的不是別人，居然是美國大使館的官員克萊夫（邁克爾·帕爾 Michael Paré 飾）。原來，有一項充滿了危險和變數(shù)的任務(wù)擺在眼前，而身經(jīng)百戰(zhàn)經(jīng)驗(yàn)豐富的麥克則是這項任務(wù)最合適的執(zhí)行者?！ 「鶕?jù)提示，麥克需要去營救一位名叫安娜（吉娜·瑪麗 Gina Marie 飾）的女子，安娜遭到了武裝綁架，有可能被敵方洗了腦。而當(dāng)麥克找到安娜時，安娜卻告訴麥克她被綁架一說是子虛烏有，而麥克要將她帶走的行為才是真正的綁架。安娜和克萊夫之間，一定有一個人在說謊，沒過多久，陷入了困惑之中麥克就發(fā)現(xiàn)，他和安娜已經(jīng)成為了眾矢之的。
靈蝕
桑德拉·埃斯卡塞納,布魯納·岡薩雷斯,克勞蒂亞·普萊瑟,伊凡·查韋羅,安娜·托倫特,康斯薇洛·特魯希略,安吉拉·費(fèi)比安,卡拉·坎普拉自從父親死后，薇若妮卡就一直姊代母職照顧弟弟。思念父親的她，和兩個朋友在日全蝕那天，做了碟仙板以召喚她父親的靈體。不料就在日光完全遭到遮蔽同時，玻璃破碎，薇若妮卡陷入恍惚狀態(tài)然后昏迷，朋友們也嚇得驚慌失措。薇若妮卡清醒后回家，卻開始發(fā)現(xiàn)一些異象：東西自己會移動、看不見的地方傳來正體不明的呼吸聲……她覺得是她把父親帶回了生者的世界，可是這些異象卻越發(fā)不懷好意，讓她備感威脅。在弟弟的幫助下，薇若妮卡展開一項儀式要脫離靈體糾纏，卻召喚出始料未及的恐怖幻影，雖然薇若妮卡勇敢地抵抗，但她卻渾然不知可怕的后果正等著她……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster