爛泥情人
亨吉(曹在顯飾)是個(gè)不能說(shuō)話(huà)的小混混,一次在街頭遇見(jiàn)女大學(xué)生森華(孫婉飾),被她的美麗外貌所吸引。亨吉注視著坐在長(zhǎng)椅上的她,對(duì)方卻對(duì)他沒(méi)任何好感。等到森華男朋友到來(lái)后,他當(dāng)街強(qiáng)吻了森華,招來(lái)一頓唾罵,在被要求道歉時(shí),亨吉并沒(méi)有那樣做。 之后,森華去書(shū)店時(shí),一時(shí)貪心拿走了別人遺落的錢(qián)包,不想被人盯上敲詐一番。為了奉還錢(qián)財(cái)巨債,森華不得不通過(guò)簽下賣(mài)身契來(lái)出賣(mài)肉體還錢(qián)。而這一切,她并不知道原來(lái)是亨吉布局陷害的。他愛(ài)著森華,但又知道對(duì)方無(wú)法接受他,惟有將森華毀掉,放到低賤的位置,才能有些微弱可能
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龍口走蛟
劇場(chǎng)靈
島崎遙香,足立梨花,高田里穗,町田啟太,中村育二,小市慢太郎諸葛四郎-大戰(zhàn)魔鬼黨
王辰驊,蔣鐵城,王希華馬爾切洛·埃爾南德斯:美國(guó)男孩
馬爾切洛·埃爾南德斯靈異隧道實(shí)錄
貝爾·德利亞,Andy Rodoreda,Steve Davis,盧克·阿諾德,戈蘭·D·克魯特,James Caitlin,Ben Maclaine,彼得·麥卡拉姆,Rebecca Clay,Shannon Harvey,Arianna Gusi,Russell Jeffrey,Jessica Fallico,Ben James,Peter Overton,瑞妮·林,丹·伊利克樓上的人們
河正宇,李荷妮,孔曉振,金東旭同類(lèi)推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
毗鄰而居
威廉·菲克納,杰西卡·麥克娜美,珍·路易莎·凱利,邁克爾·羅森巴姆,科林·伍德?tīng)?埃里?!ぐ驳律?羅伯特·阿爾茨一個(gè)有婚姻危機(jī)的中年男人,某天一個(gè)漂亮的年輕女人和她粗魯?shù)恼煞虬徇M(jìn)了他的隔壁,讓他的生活發(fā)生了翻天覆地的變化......
未死之軀
Dujdao Duangpradab,Amy Siriya厭倦了逼仄臟亂的小公寓,正值青春年少的美麗女孩冰通過(guò)網(wǎng)絡(luò)找到一所寬敞闊氣且租金極為便宜的大房子,事不宜遲,她連忙致電屋主預(yù)約時(shí)間,并叫上同公寓好友妮娜隨她一同看房。雖然妮娜對(duì)該房第一印象不佳,卻無(wú)法改變冰的決定。不久之后,滿(mǎn)心歡喜的冰搬入新居,誰(shuí)知從第一天開(kāi)始便有怪事在身邊發(fā)生。在此之后,種種詭異事件交替發(fā)生,甚至冰的意識(shí)也受到侵襲。擔(dān)心好友的安危,妮娜趕來(lái)冰的身邊。 只是恐怖事件并未就此告一段落,仿佛被詛咒了一般,美麗女孩落入充滿(mǎn)玄幻和恐怖氣息的死亡陷阱之中……
紫禁城
劉亞西,恩里科·博雷洛,薩布麗娜·費(fèi)里利,馬可·賈利尼,盧卡·津加雷蒂,淳于珊珊In the suburbs of Rome two very different souls intersect. One is the son of a restaurant owner who disappeared with his lover. The other is a young mysterious woman who has arrived from China in search of her missing sister.
柔情摯我
薇姬·克里普斯,莫妮亞·喬柯里,維果·費(fèi)雷拉-雷迪爾,安托萬(wàn)·賴(lài)納茨,費(fèi)奧多爾·阿特金,樸智敏,Manuel Vallade,奧拉利亞·佩蒂特,薩利夫·西塞,朱利安·德·圣·讓,瑪洛·赫比齊,安娜·西加勒維奇,Tallulah Cassavetti,安東尼·米切爾,烏姆尼亞·哈納德她離開(kāi)丈夫與兒子,也離開(kāi)穩(wěn)定的律師工作,在泳池、露天咖啡廳與私人公寓自在游走。以寫(xiě)作寄托生活,對(duì)兒子的愛(ài)未減半分,與丈夫也親如摯友,直到那日,她向丈夫吐露與女性的親密關(guān)系,完美生活旋即化為一場(chǎng)幻夢(mèng)。在失去監(jiān)護(hù)權(quán)后,她不得不在機(jī)構(gòu)間穿梭,為了見(jiàn)兒子一面奮力一搏,卻不知這樣的困境,何時(shí)能走到盡頭?