年輕媽媽的朋友

大革族四大勇士之元泰、勇士昆布倒戈賣(mài)國(guó)投降，元泰引西暌族和南離皇族聯(lián)軍攻革，大革族族皇自殺身亡！蔡八兒提著七孔刀逃亡，在山林里救了被狼群養(yǎng)大的小男孩，蔡八兒為小男孩取名祖澈，蔡八兒和祖澈隱居十五年后，祖澈長(zhǎng)練得一手好刀法，光復(fù)大革國(guó)。

　　東北小鎮(zhèn)，白事先生張英豪和賣(mài)狐皮的王元順意氣相投。但背地里王元順卻與張英豪的媳婦李文紅有染。李文紅懷上了王元順的孩子，王元順決定殺死張英豪。然而他雇傭來(lái)的殺手竟屢屢失手。王元順殺人不成反被殺手訛錢(qián)。無(wú)奈之下，他開(kāi)始挑撥殺手們的關(guān)系……一年后，一具尸體驚現(xiàn)廢井。警方確定王元順有重大作案嫌疑?？赏踉槄s已離奇失蹤，仿佛人間蒸發(fā)……

　　(甘)網(wǎng)影審字(2022)第001號(hào)，甘肅未來(lái)影業(yè)有限公司

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster