美國派6兄弟會
Erik,Ryan和Cooze三個新生進(jìn)入大學(xué)后,申請的第一個社團(tuán)就是Beta兄弟會。在傳奇的Stifler家族的Dwight率領(lǐng)丅,這個社團(tuán)在學(xué)校風(fēng)光無限,派對和美眉占盡了眼球。學(xué)校新成立的怪胎聯(lián)誼會;GEK rdquo;將Beta視為毒瘤,GEK是由一幫只會讀書掙錢搞實驗、智商天才情商為負(fù)的侽生組成,首領(lǐng)是權(quán)力狂人Edgar。GEK為了鏟除Beta兄弟會,雙方?jīng)Q定進(jìn)行一場直接對抗賽,按照古老賽制,聯(lián)誼會中輸?shù)囊环綄⒈魂P(guān)閉40年!Erik nbsp;等人在Beta享受到歡樂的大學(xué)時間,認(rèn)識了新的馬子,怎能容許被破壞,一群小子義無反顧的加入Dwight決心將怪胎拉丅馬
即刻觀影
劇情賞析
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超時空獵殺
苗韻桐,郝艾莉,張晶2020年,在香港首次發(fā)現(xiàn)穩(wěn)定蟲洞,人們可以通過穩(wěn)定蟲洞回到歷史上的時間節(jié)點,為了防止有人通過蟲洞回到歷史并破壞歷史,時空管理局應(yīng)運(yùn)而生。 時空管理局擔(dān)負(fù)著校正歷史、讓歷史按著既定軌道運(yùn)行的使命。然而時空守衛(wèi)隊隊長左石,卻突然率領(lǐng)五名部下,攜帶著超出時代進(jìn)程的槍支武器,闖入蟲洞,回到了歷史中的秦陽城,意圖以顛覆歷史要挾時管局在48小時內(nèi)關(guān)閉蟲洞。 為了挽救歷史,女探員景彤臨危受命與前守衛(wèi)隊隊長秦朗,帶領(lǐng)新組建的守衛(wèi)隊,配備青銅武器回到歷史之中,阻止左石一行。
追殺51號
穆罕默德·阿里坎,阿黛爾·艾克薩勒霍布洛斯,路易·加瑞爾,吉爾·勒盧什,羅曼·杜里斯,瓦萊麗亞·布魯尼·泰德斯基,達(dá)芙妮·帕塔基亞,維克多·阿爾特斯·索拉羅,托馬斯·班加爾特,阿克賽·百利,斯特凡納·巴克,雨果·狄龍,卡梅爾·拉布魯?shù)?薩杜·巴未來巴黎,階層鴻溝割裂都市。超腦Alma執(zhí)掌秩序,其創(chuàng)造者暴斃后,警探薩利亞聯(lián)手澤姆揭開顛覆割裂世界的驚天謎團(tuán)。
開棺2025
陳可如,光俊一對夫妻在他們的土地里挖掘出一座古墓后,圍繞著一條被詛咒的項鏈和一個充滿復(fù)仇之心的鬼魂,發(fā)生了一連串恐怖事件……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
謊言的島嶼
內(nèi)瑞雅·巴德洛斯,達(dá)里奧·格蘭迪內(nèi)蒂,埃托爾·盧納,Victoria Teijeiro,Ana Oca,米洛·塔波阿達(dá),Leire Berrocal,Miguel Borines,賽爾索·布加諾,Mela Casal,María Costas,Roberto Leal,Sergio Quintana,Machi Salgado,Ana Santos故事發(fā)生在1921年的西班牙,一艘蒸汽船載著260名西班牙移民駛往美國,他們滿心期待在那里能夠開始他們嶄新的人生。不幸的人,一場船難襲擊了這群追夢者,他們所乘坐的蒸汽船載西班牙加利西亞海岸附近的一座小島旁沉沒了。幸運(yùn)的是,島上生活的三個女人發(fā)現(xiàn)了這批遇難者,她們熱情的給予了幫助,最終,50名乘客得到了救助,保住了性命,這三個女人也因此名聲遠(yuǎn)揚(yáng),被視為英雄?! ∫幻⒏⒂浾呗動崄淼搅诉@座小島,想要將這件事情寫成報道,可是,隨著他調(diào)查的深入,記者發(fā)現(xiàn)很多事情都和他所聽說的不符,不僅如此,他還開始懷疑,或許蒸汽船的沉沒從一開始就不是一場意外。
一個拳手
王一鳴,任珅,梁國榮拳擊手大卓因意外受傷告別了擂臺,在小區(qū)當(dāng)了一個保安。在照顧患有癡呆癥父親的過程中,大卓漸漸理解了父親多年來對他的愛,父子間童年時的心結(jié)被解開。為彌補(bǔ)父親曾經(jīng)的遺憾,大卓重拾信心,再一次站到了擂臺之上。