為了皇帝

? 8.9 播放：54萬 2026-04-30

全職棒球運動員李煥（李民基暫無內(nèi)容飾）因打假波令事業(yè)直插谷底，及后投靠釜山勢力最大的「皇帝財務(wù)」老板鄭長河（樸星雄暫無內(nèi)容飾），對手下講義氣，但對經(jīng)營的生意和金錢都別有用心，盡管身邊兄弟對李煥甚有微言，處事冷靜的鄭長河仍用心栽培李煥，令他伺機以待可以上位。及后李煥遇上夜總會老板娘池妍秀（李泰琳暫無內(nèi)容飾）暫無內(nèi)容，性感撩人的姿態(tài)為李煥提供唯一的安慰和容身之所，不惜賭上一切，希望在欲望世界出人頭地……

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? 播放 為了皇帝

劇情提要

全職棒球運動員李煥（李民基暫無內(nèi)容飾）因打假波令事業(yè)直插谷底，及后投靠釜山勢力最大的「皇帝財務(wù)」老板鄭長河（樸星雄暫無內(nèi)容飾），對手下講義氣，但對經(jīng)營的生意和金錢都別有用心，盡管身邊兄弟對李煥甚有微言，處事冷靜的鄭長河仍用心栽培李煥，令他伺機以待可以上位。及后李煥遇上夜總會老板娘池妍秀（李泰琳暫無內(nèi)容飾）暫無內(nèi)容，性感撩人的姿態(tài)為李煥提供唯一的安慰和容身之所，不惜賭上一切，希望在欲望世界出人頭地……

幕后花絮

六百英里

　　亞利桑那州的槍枝商店內(nèi)，白人男孩負責買槍，再交由開卡車的墨西哥少年穿越美墨邊境，運到販毒大本營西納洛亞。毒梟媲美軍隊的強大火力，拜美國松散的槍械管制之賜。少年工作如常，渾然不覺已被資深探員漢克盯上，但正當漢克準備逮捕他們時，卻反遭撂倒淪為人質(zhì)。不知所措的墨西哥少年，竟決定帶他回墨西哥。分屬對立陣營的兩人，就此命運緊緊相連，開向未知?！　а菁硬祭锇枴だ账固公@第65屆柏林電影節(jié)最佳處女作獎。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.