即刻觀影
劇情賞析
編輯推薦
惡魔的破壞 后篇
幾田莉拉,志水彩乃,種崎敦美,島袋美由利,大木咲繪子,和氣杏未,白石涼子,入野自由,內(nèi)山昂輝,坂泰斗,諏訪部順一,津田健次郎三年前的8月31日，“侵略者”巨大的母艦突如其來(lái)地降臨在東京，眼看這個(gè)世界即將迎來(lái)末日。 自此之后，絕望漸漸地融入了日常生活；大大的飛碟盤旋于空中，今天也依然不變地持續(xù)環(huán)繞著世界。而在還沒(méi)有來(lái)到世界末日的此刻，小山門出、中川凰蘭這兩個(gè)高中女生的青春時(shí)代才正要展開。
月球
薛景求,都敬秀,金喜愛,趙漢哲,崔炳模,Byeong-eun Park,洪承熙,趙勝淵,Gina Theresa Williamson,Laura Fitch Yang,Shim Young-Eun2029年，韓國(guó)載人飛船“探月號(hào)”出發(fā)前往月球，即將產(chǎn)生第二個(gè)成功登月的國(guó)家，任務(wù)備受全世界矚目。然而“探月號(hào)”不幸遇上太陽(yáng)黑子爆發(fā)所引致的太陽(yáng)風(fēng)暴，發(fā)生嚴(yán)重意外，宇航員黃善宇（都暻秀 飾）成為“探月號(hào)”的唯一幸存者。為了營(yíng)救流浪月球的黃善宇，隱居小白山天文臺(tái)的前載人飛船飛行總監(jiān)金載國(guó)（薛景求 飾），加入了救援行動(dòng)，同時(shí)韓國(guó)政府亦要求美國(guó)太空總署（NASA）的總監(jiān)尹文英（金喜愛 飾）及月球門戶太空站介入?yún)f(xié)助，但卻一直遇上重重阻撓。載人飛船的燃料將近耗盡，氧氣亦正在倒數(shù)，再加上流星雨撞擊與月震，被孤立在38.4萬(wàn)公里以外月球上的宇航員黃善宇，個(gè)人的一小步也足以令全球人類緊張屏息，到底營(yíng)救行動(dòng)會(huì)如何發(fā)展？
一一
吳念真,李凱莉,金燕玲,張洋洋,蕭淑慎,尾形一成,陳希圣,林孟瑾,陳以文,柯宇綸,張育邦,柯素云,唐如韞,徐淑媛,曾心怡,陶傳正NJ（吳念真）是個(gè)很有原則的生意人，同妻子敏敏（金燕玲）、女兒婷婷（李凱莉）、兒子洋洋（張楊洋）以及外婆住在臺(tái)北某所普通公寓里。小舅子的一場(chǎng)麻煩婚禮過(guò)后，因?yàn)橥馄磐蝗恢酗L(fēng)昏迷，他迎來(lái)更加混亂的日子。敏敏公司、家里兩頭跑，時(shí)常感覺自己要被耗空；婷婷一直為外婆的中風(fēng)內(nèi)疚，戀愛談到中途發(fā)現(xiàn)自己不過(guò)是替代品；NJ更是麻煩重重，公司面臨破產(chǎn)，他又不愿放下別人眼里一文不值的自尊。一家人里，似乎只有洋洋沒(méi)有煩惱，他平靜地用照相機(jī)拍著各種人的背面，幫他們長(zhǎng)出另一雙眼睛，然而，洋洋簡(jiǎn)簡(jiǎn)單單的一句話，道出更深的悲涼。
夏日書局
王璐“廢柴”大齡男人顧大池繼承了父親的“遺產(chǎn)”：一家破二手書店。他決定用一個(gè)夏天把書店變現(xiàn)，由此認(rèn)識(shí)了復(fù)讀女孩蔡小心，他們整理書賣書，把面包車改成“移動(dòng)書房”上路，直到發(fā)現(xiàn)了父親藏在書里的“寶藏”……很快，夏天就這么過(guò)去了。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
撒冷鎮(zhèn)2024
劉易斯·普爾曼,威廉·桑德勒,皮魯·埃斯貝克,麥肯茲·利,比爾·坎普,阿爾法·伍達(dá)德,斯賓塞·崔特·克拉克,約翰·本杰明·西基,尼古拉斯·克羅維蒂,Debra Christofferson,凱德·伍德沃德,瑞貝卡·吉貝爾,凱蘭·呂德,塞拉·希烏爾曼,Jordan Preston Carter,邁克·巴什,Danielle Perry,Carly Silverman,加文·馬多克斯·伯格曼,Fedna Jacquet作家本·米爾斯回到他兒時(shí)的故鄉(xiāng)——撒冷鎮(zhèn)，為他的下一本書尋找靈感，卻發(fā)現(xiàn)他的家鄉(xiāng)正被一個(gè)嗜血的吸血鬼掠奪。