被侵犯的白衣
白百合醫(yī)院位于某個(gè)海濱小鎮(zhèn)的森林中，這里的宿舍住著六名青春美麗的女護(hù)士。由于病患稀少，與世隔絕，女孩們身心的欲望難以抑制，在漫長(zhǎng)而躁動(dòng)的夜晚，她們有的選擇彼此慰籍，有的則蹲在門外窺視，目光中充滿了興奮、激動(dòng)和不安。某晚，一個(gè)俊美且面帶憂郁的男青年（唐十郎飾）路過此地，他正處在青春躁動(dòng)期，對(duì)女性的身體既充滿渴望，又對(duì)這樣的誘惑懷有莫大的恐懼和憎惡。女孩們將青年引入宿舍，并強(qiáng)迫他窺視兩個(gè)女孩纏綿的場(chǎng)景。青年無法忍耐，他闖了進(jìn)去，怒不可遏地槍殺一名女孩。在此之后，他囚禁了其他五名護(hù)士。在手槍面前，她們惶恐、諂媚、義正言辭，卻發(fā)現(xiàn)死亡才是唯一的通行證……
在線看
同款熱播
異塵余生：尸鬼圣誕節(jié)
...
隱藏殺手2
Raphael Sbarge,Kate Hodge上集中異形并沒有被消滅掉，她又回來了，變得更加的強(qiáng)大，這次的主角輪到別克的女兒朱麗婭了，她和另一個(gè)伙伴要繼續(xù)面對(duì)新的挑戰(zhàn)了
三聲再見
阿爾芭·羅爾瓦赫爾,埃利奧·杰曼諾,弗朗切斯科·卡里爾,西爾維婭·達(dá)米科,加拉泰亞·貝露琪,薩莉塔·喬德霍里,洛倫佐·特倫齊,索菲婭·德利婭,斯蒂法諾·布拉奇,彼得羅·斯帕沃利,孫克古·鄭,馬泰奧·卡洛馬尼奧,朱塞佩·佩斯蒂洛,路易莎·里奇,薇拉·杰瑪,亞歷山德羅·洛·卡塞托,科西莫·德西伊,特奧多羅·吉安班科,朱利婭·瓦倫蒂,托馬索·阿爾納爾迪歲月無聲，平淡如水。因小事吵鬧令多年戀情告終，她復(fù)要面對(duì)身體突如其來的噩耗。有恨無人省，心底的哀傷、焦慮與寂寞，只能獨(dú)對(duì)在街角檢拾回來的紙板韓星，輕聲傾訴。夕陽余暉，仿佛驟然點(diǎn)亮了尋常忽略的景致，令她重新感悟人間的和煦。 西班牙導(dǎo)演伊莎貝拉庫謝以優(yōu)雅與溫柔，將小說家麥可娜·穆爾嘉的遺作化為翩翩光影，凝留于艾芭諾宜娃查倩影麗容，是一闋寛懷的生命詩篇；在最后的時(shí)光，與人生、與凡塵好好告別，讓放下自在的微光，溫潤(rùn)世上所愛之人。
天啟四騎士
丹尼斯·奎德,章子怡,盧·泰勒·普奇,小克利夫頓·克林斯蘭斯林（丹尼斯·奎德 Dennis Quaid 飾）警官同時(shí)也是一個(gè)單身父親，因公務(wù)繁忙，他無暇照顧兩個(gè)兒子，大兒子亞歷克斯無形中時(shí)常扮演父親的角色。最近蘭斯林被一樁連續(xù)殺人案纏住，每個(gè)兇案現(xiàn)場(chǎng)都發(fā)現(xiàn)了至少四名嫌疑人的蹤跡，并且統(tǒng)一留下了“過來看”的血色留言，死者死于懸掛的狀態(tài)充滿了宗教意味，蘭斯林從人體懸掛的鐵架入手，發(fā)現(xiàn)這一干罪犯以殺人作為宗教儀式，并且以啟示錄中記載的“天啟四騎士”自居。第一個(gè)受害者的華裔養(yǎng)女克里斯?。ㄕ伦逾?飾）主動(dòng)找到蘭斯林，坦承了自己與連續(xù)殺人案的關(guān)系，但是這不能阻止更多人受害，蘭斯林驚見自己最不愿意看到的事情發(fā)生了……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
三人世界
林子祥,鄭裕玲,關(guān)之琳,周慧敏,劉嘉玲,羅美薇,盧冠廷,金燕玲,周文健劉雅歷（林子祥 飾）是一名廣告公司高層，但感情生活并不如意——女友碧姬（關(guān)之琳 飾）與他分手了。本來就沉默寡言的雅歷更加孤寂傷痛了，生活依舊刻板平凡?！ 『髞硭谝粋€(gè)合唱團(tuán)里認(rèn)識(shí)了一位極有天分的女孩巫慧敏（周慧敏 飾），本來打算對(duì)她多加照顧培訓(xùn)，卻遭到慧敏母親朱麗娥（鄭裕玲 飾）的不滿，以為雅歷對(duì)自己年輕的女兒動(dòng)了歪念，兩人也因此成為了斗氣冤家?！ 〗?jīng)多次的交往之后，朱麗娥才發(fā)現(xiàn)自己誤會(huì)了雅歷，便對(duì)他完全改觀了，有困難的時(shí)候麗娥也主動(dòng)找雅歷幫忙。麗娥本來就是個(gè)離婚婦人，遇到了同樣感情空虛的雅歷，兩人之間很快便滋長(zhǎng)了愛情。這時(shí)，雅歷的前女友碧姬卻回來要求復(fù)合……