你的性伙伴
偷偷見(jiàn)一個(gè)人怎么樣？基賢試圖改變討厭皮膚的女友珍永的心，但總是拒絕基賢。暫無(wú)內(nèi)容心智復(fù)雜的基賢每晚都會(huì)上網(wǎng)GoStop來(lái)緩解孤獨(dú)。暫無(wú)內(nèi)容有一天，勞拉，一個(gè)通過(guò)網(wǎng)絡(luò)聊天窗口勾引基賢的女人……基賢帶著她不得不放下的心去一家汽車旅館與勞拉見(jiàn)面，并在那里度過(guò)了一個(gè)夢(mèng)幻般的夜晚。有著神秘魅力的勞拉。暫無(wú)內(nèi)容在那之后，基賢越來(lái)越無(wú)法拒絕勞拉，勞拉一直在給她打電話。暫無(wú)內(nèi)容珍榮開(kāi)始懷疑基賢的行為。勞拉和他的女朋友之間開(kāi)始了危險(xiǎn)的關(guān)系！
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粽邪3：鬼門開(kāi)
張庭瑚,李興文,吳奕蓉,許安植,陳博正,劉國(guó)劭,李明倉(cāng),王彩樺,黃柔閩,陳為民,曾莞婷,鄒承恩,陳雪甄,施冬麟,許莉廷,陳少卉,陳昭妃,姜仁,游否希講述冠宇（張庭瑚 飾）因與父親武雄（李興文 飾）不合，為了賺錢早日搬離家，與好友龜仔（李明倉(cāng) 飾）一起到旅社打工，不料打掃的房間竟有人自縊身亡，房?jī)?nèi)充斥不祥的泰國(guó)符號(hào)，而旅社老板娘（吳奕蓉 飾）更是舉止詭異，整間旅社彌漫著死亡的氣息，向冠宇席卷而來(lái)。
傲嬌公主的奇幻冒險(xiǎn)
馬雷克·蘭博拉,安娜·菲亞洛娃,Ales Procházka黑白童話《驕傲的公主》是捷克電影史上收視率最高的電影之一?！侗粦土P的驕傲》是博澤娜·內(nèi)姆科娃最美麗的童話故事之一。難怪有史以來(lái)最成功的捷克真人童話電影就是基于它改編的。這是一部動(dòng)畫(huà)翻拍。克拉索米拉住在一個(gè)金籠子里。她幼稚地驕傲，她的刻薄顧問(wèn)也支持她。他們想把她嫁給一個(gè)軟弱的人，保住權(quán)力。然而，他們遇到了鄰國(guó)正義的國(guó)王米羅斯拉夫。他愛(ài)上了克拉索米拉公主，決定治愈她的驕傲。作為一名園丁，他設(shè)法做到了。然后，在王國(guó)顧問(wèn)的憤怒面前，他們一起逃跑了。他們的道路充滿了狂野的冒險(xiǎn)，這讓他們更加親密?？死髅桌恢浪优艿膱@丁是國(guó)王。她在大結(jié)局中發(fā)現(xiàn)了。她原諒米羅斯拉夫否認(rèn)自己的真實(shí)出身，并嫁給了他。顧問(wèn)們被趕走了，愛(ài)情勝利了。
調(diào)味的房子
西恩·帕特維,安娜·沃爾頓,羅希·戴,凱文 霍華斯,杰瑪·鮑威爾,丹尼爾·維維安,阿德里安·布薛特,Christopher Rithin,肖恩·克羅寧20世紀(jì)末，波黑戰(zhàn)火籠罩的巴爾干地區(qū)。聾啞少女安吉爾（羅茜·戴伊 Rosie Day 飾）目睹了親人鄰居被武裝分子殘忍殺害的一幕，在此之后她也失去自由，與數(shù)名同齡女孩被擄至暴徒維克托（凱文·霍華斯 Kevin Howarth 飾）所盤踞的地獄之所。女孩們被迫淪為性奴，飽受摧殘與折磨，生命卑微有如在暴風(fēng)雨中搖曳的燭火。身處無(wú)聲世界的安吉爾似乎得到上天微薄的憐惜，她每天的工作便是穿梭于各個(gè)房間，為女孩們擦拭血跡，注射藥物，緩解疼痛，小小年紀(jì)卻見(jiàn)識(shí)了人世間最殘酷的景象。慘無(wú)人道且防守嚴(yán)密的人間煉獄，安吉爾決定帶著姐妹們逃出生天。當(dāng)殺母仇人格倫突然來(lái)到此地，一切走向失控的邊緣…… 本片榮獲2013年葡萄牙國(guó)際奇幻電影節(jié)影評(píng)人選擇獎(jiǎng)。
我們是伯利恒
多洛蕾斯·方齊,卡米拉·普拉阿特,勞拉·帕雷德斯,朱麗葉塔·卡迪納利,Sergio Prina,路易斯·馬辛,凱撒·特龍科索,Lili Juarez,Ruth Plaate,Gaia Garibaldi,Susi Andersen,Eugenia Blanc,Daniel Cabot,Camila Caram,Aquiles Casabella,Edgardo Castro,Tamara Dawidowicz,Pilar Mestre Del Bono,Fabio Di Tomaso,Sofía Diam2014年，阿根廷圖庫(kù)曼?。灰幻贻p女性因劇烈腹痛入院，當(dāng)時(shí)她并不知道自己已有身孕。醒來(lái)時(shí)，她發(fā)現(xiàn)自己被手銬銬在輪床上，周圍全是警察。她被指控自行墮胎，在拘留兩年后，因加重殺人罪被判處八年監(jiān)禁。 圖庫(kù)曼省的一位女律師將為她的自由而戰(zhàn)，數(shù)千名女性與眾多組織紛紛聲援，她們團(tuán)結(jié)起來(lái)，試圖改變歷史的走向。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
你好弗里達(dá)
奧利維婭·魯茲,Emma Rodriguez,Rebeca Gonzales,Léo C?té,Sophie Faucher,曼努爾·泰德羅斯,Anne Girard,Joey Bélanger影片生動(dòng)展現(xiàn)了墨西哥傳奇女畫(huà)家弗里達(dá)·卡羅的童年生活。好奇心旺盛的弗里達(dá)整天和妹妹玩耍，和鄰居家的狗做朋友，爬樹(shù)，在小鎮(zhèn)上奔跑，當(dāng)她擁有人生中的第一本筆記本，就迫不及待的上面涂滿色彩斑斕的圖畫(huà)和想法。小兒麻痹癥讓她臥床不起，但小弗里達(dá)毫不退縮，一旦康復(fù)，她就會(huì)重返街頭，展現(xiàn)她旺盛的生命力。