天邊一朵云
他從一個(gè)小地方來(lái)到杭州找工作,和一個(gè)叫張經(jīng)理的人約好了,并且已經(jīng)交了保證金,可是真正到了地方卻被告知沒(méi)有這個(gè)人。他給張經(jīng)理打電話發(fā)微信卻已經(jīng)沒(méi)有了任何回復(fù),他這才意識(shí)到自己已經(jīng)被騙。他打開軟件,發(fā)現(xiàn)附近有人和他打招呼,他打出“你好”二字,卻不知道該不該發(fā)送回復(fù)。在這個(gè)陌生的城市,他拖著行李箱漫無(wú)目的走著,感到無(wú)助與驚慌。于是,他決定約那個(gè)人??伤诰频甑却S久,最后被電話告知,那人今天被父母帶去相親,明年便要結(jié)婚。他一個(gè)人躺在床上,飽嘗著孤獨(dú)的苦澀……
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盛夏假期遇見(jiàn)愛(ài)
艾米麗·巴德,湯姆·布萊斯,莎拉·凱瑟琳·胡克 ,盧錫安·拉維斯科特,邁爾斯·赫爾澤,賈米拉·賈米爾,湯米·杜,盧卡斯·蓋奇,愛(ài)麗絲·李,莫莉·香儂,阿蘭·盧克,斯賓瑟·內(nèi)維爾,伊恩·波特,馬德琳·阿庫(kù)阿,約翰·賈巴雷,貝瑟妮·安妮·林德,邁克爾·A·紐科默,勞拉·弗蘭納里,萊頓·威廉姆斯,埃米·勒富貴逼人來(lái)
彼得·塞勒斯,雪莉·麥克雷恩,茂文·道格拉斯,杰克·沃登,理查德·貝斯哈特離婚怨曲
梅根·古德,科里·哈德里克,約瑟夫·李·安德森,泰勒·波利多雷,Shannon Wallace,理查德·勞森,黛比·摩根,Mark Elliott Brewer,Sarah Girma,Adam Jerome Sperandio,喬·科馬拉,Ursula O. Robinson,Rakeem Laws,Berry Williams Jr.,Jeffrey Creightney,Delandrian Lamar Aikens,Jason McGee,Anthonique Page,Anthony Johns尼諾
西奧多·佩爾蘭,威廉·勒布吉?dú)W,莎樂(lè)美·德瓦斯,讓娜·巴利巴爾,卡米莉·拉瑟福德,埃斯特爾·梅耶爾,維克圖瓦爾·杜布瓦,馬修·阿馬立克,Pascale Oudot,Ma?l Besnard,Elodie Roy,Amaury Arboun,利森·丹尼爾,Charlotte Lainé,Balthazar Billaud,艾爾莎·布尚,Quentin Gouget,Alexandre Desrousseaux,Mounir Belhidaoui,Lola Felouzis抵擋計(jì)劃
Donald Cerrone,凱利·林恩·萊特,Vincent E. McDaniel,布蘭迪·羅德里克,Chris Maher童煞驚魂島
丹尼爾·希梅內(nèi)斯·卡喬,艾邦·摩斯-巴克拉赫,凡妮莎·肖同類推薦
搭車客
為了謀生,一名失業(yè)的畢業(yè)生在深夜偷偷將一名女性尸體運(yùn)往西原。在旅途中,他面對(duì)了一個(gè)充滿不安靈魂的超自然世界、一個(gè)他渴望的神秘女孩,以及與他駕駛的救護(hù)車有關(guān)的黑暗真相。
數(shù)碼寶貝大電影五:冒險(xiǎn)者的戰(zhàn)斗
野澤雅子,津村真琴,多田葵,山口真弓,今井由香,折笠富美子,金田朋子,金光宣明,松谷彼哉,金子由之,永野愛(ài),三石琴乃,小野健一,佐伯志,松尾銀三,津久井教生,坂本千夏,小杉十郎太快樂(lè)的暑假開始了,啟人(津村真琴 配音)為了掃墓來(lái)到了風(fēng)光秀麗的沖繩,在海邊,他和阿海(佐伯鵬 配音)一起救下了一位名為美波(三石琴乃 配音)的少女,后者遭到了數(shù)碼獸的攻擊,這些數(shù)碼獸的目標(biāo),似乎是美波所攜帶的一臺(tái)筆記本電腦,在電腦里究竟隱藏了怎樣的秘密?讓啟人感到意外的是,美波的遇險(xiǎn)催生了數(shù)碼寶貝石獅獸(津久井教生 配音)的誕生,它的使命為何? 啟人發(fā)現(xiàn),在風(fēng)靡全球的電子寵物V-Pet背后,隱藏著一個(gè)驚人的秘密,貪婪邪惡的曼法斯獸企圖通過(guò)虛擬的數(shù)碼獸摧毀人類世界,實(shí)現(xiàn)它建立數(shù)碼世界的野心。面對(duì)強(qiáng)大的對(duì)手,啟人和朋友們?cè)摵稳ズ螐模?/p>
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
陰陽(yáng)師2001
野村萬(wàn)齋,伊藤英明,今井繪理子,小泉今日子 Ky?ko Koizumi,真田廣之,夏川結(jié)衣,寶生舞,矢島健一,石丸謙二郎,柄本明,岸部一德,萩原圣人公元794年,日本桓武天皇時(shí)期,京都長(zhǎng)岡被其胞弟早良親王怨靈詛咒,天災(zāi)人禍不斷?;肝涮旎时黄冗w都平安京,由此開啟四百年平安時(shí)代序幕。彼時(shí)權(quán)貴內(nèi)部斗爭(zhēng)激烈,人民生活疾苦,世間因此怨靈叢生,人、鬼與怪物屏息同棲。隸屬于宮廷陰陽(yáng)寮的陰陽(yáng)師們,作為平衡天、地、人、鬼間矛盾的存在,自此活躍在歷史舞臺(tái)上,其中最為耀眼的便是身世成謎的安倍晴明(野村萬(wàn)齋 飾)。右近衛(wèi)中將源博雅(伊藤英明 飾)受托拜訪安倍晴明,被所目睹的奇異景象及晴明的個(gè)人魅力深深折服;晴明亦被博雅正直的品德吸引。故事便從兩人宿命相識(shí),結(jié)下珍貴情誼開始。 宮廷內(nèi)近來(lái)異事頻發(fā)。左大臣藤原師輔之女誕下敦平親王,嬰兒降世卻身負(fù)詛咒。晴明招來(lái)蜜蟲(今井繪理子 飾)和神秘女子青音(小泉今日子 飾),與博雅一同化解惡咒,卻反遭誣陷。原來(lái)一切皆是陰陽(yáng)頭道尊(真田廣之 飾)所為。他利用左右大臣間矛盾與后妃間爭(zhēng)寵頻生事端,更欲召喚出150年前的最強(qiáng)怨靈早良親王,將平安京徹底顛覆…… 影片根據(jù)夢(mèng)枕貘《陰陽(yáng)師》系列小說(shuō)改編。
神探瓦雷斯:綁票追緝令
里歐·舍曼,加斯帕·帕科農(nóng),米·庫(kù)基不敢相信!浪蕩不羈的瓦雷斯終于要結(jié)婚了,但是在婚禮上,瓦雷斯突然接到伴郎「解毒劑」的緊急來(lái)電,對(duì)方被幫派份子嚴(yán)刑拷打,需要他的救援。當(dāng)他深入毒窟營(yíng)救老友的同時(shí),他新婚妻子的女兒被綁架了。瓦雷斯第一天當(dāng)爸爸,就出大事了,為了營(yíng)救繼女,瓦雷斯被迫參與一場(chǎng)神秘詭譎的性愛(ài)邪教聚會(huì),他分秒必爭(zhēng),必須搶在犯罪集團(tuán)之前,拯救他所愛(ài)的人保護(hù)他的新家人。