即刻觀影
劇情賞析
編輯推薦
腐壞之巫
阿麗亞娜·德博斯,馬爾頓·索克斯,芭比·費雷拉,阿瑪拉·卡蘭,阿里安·穆阿耶德,桑婭·奧爾森蘭,杰瑞米·惠勒,朵卡·格萊拉斯,米克爾·布拉特·西爾塞特,加布里埃爾·德雷克,伊莫拉·加斯帕爾,加博爾·納吉帕爾,Harry Szovik,Robert Jackson,Rudolf Molnár,Jason York,安德魯·赫夫勒,Gabor Kovacs,Zoltán Seress,Shiraz Khan一名廚師終于開了自己的高檔餐廳，但地址選在了鄉(xiāng)野傳說中女巫住過的“鬼屋”，可怕的事情發(fā)生：食物里有蟲子爬出，血腥事件來臨……
脆弱的男人
亞辛·侯伊卡,歐萊雅·阿瑪拉,拉斐爾·奎納德,Bilel Chegrani,迪翁-克巴·塔庫,蒂法因·戴維斯,霍莉·法特瑪,吉列爾莫·吉茲,薩米拉·塞迪拉,Olivier Soula,Marion Guerrero,Tigrane Avedikian,Juliette Cardinski,Thomas Bricmont,Roméo De Lacour,Marvin Pellegrino,艾瑪·貝內斯坦,Aurélien Marra,塔薩迪特·曼迪,Atmen KelifAz 在 Sète（法國南部）的一個牡蠣養(yǎng)殖場工作，他非常熟悉牡蠣，曾打開過成百上千個，一天，他決定藏一枚戒指在其中一只牡蠣中，向他的女友 Jess 求婚，但是對方沒有答應。不過幸運的是，他的一群朋友已經準備好幫他重新振作起來。 Az travaille chez un ostréiculteur à Sète. Les hu?tres il conna?t ?a par c?ur, il les ouvre par centaines. Dans l’une d’elle, Az décide de cacher une bague, pour demander sa petite amie Jess en mariage. Elle ne dit pas oui. Heureusement, sa bande d’amis est prête à tout pour l’aider à sortir la tête de l’eau.
大明嬪妃之離間
宋洋,朱一龍,何杜娟,關慧卿姚芊芊腹中的孩子即將足月，為了讓大家相信孩子是太子的，鄭貴妃命她帶蘭心去郊外寺廟進香，自己則安排手下裝作歹徒襲擊二人，讓姚芊芊有理由“受驚早產”，并想伺機除掉蘭心。誰知，姚芊芊真的受驚動了胎氣，幸有蘭心全力相助，這才九死一生，在途中產下一子。從此，姚芊芊視蘭心為生死之交，王恭妃見狀，卻誤以為蘭心被鄭貴妃收買。王恭妃明白梅兒和蘭心情同手足，為防止梅兒隨蘭心一同倒戈，她開始用各種方式離間兩人的關系 ?！ ∶穬涸巧瞎俅笕伺c歌女李月棠之女，實為蘭心之妹。
昭和殘俠傳 唐獅子牡丹
高倉健,三田佳子,池部良,津川雅彥タイトル : 昭和殘俠伝: 唐獅子牡丹（期間限定生産）（生産完了） 出演 : 高倉?。锛炎樱虼ㄑ艔夭苛迹J田伸介／菅原謙二 監(jiān)督 : 佐伯清 不始末をしでかした弟分を助けるために、花田秀次郎は左右田組の組頭の要求を飲み、榊組の組頭を手にかけた。法の裁きを受け服役した秀次郎は、3年後に出所を果たす。だがそこで秀次郎が目にしたのは、秀次郎の手によって組頭を失い、瀕死の狀態(tài)に追いやられてしまった榊組の姿だった。左右田組の執(zhí)拗な攻撃に耐えて組を守る未亡人の姿に心を打たれた秀次郎は、みずからの負い目もあって、榊組を助けることにするのだが…?！ 「邆}健の代表作の一つである「昭和殘俠伝」シリーズの2作目。渡世の義理ゆえに、心ならずも斬り倒した相手の未亡人に捧げる愛情と、敵対しつつも育まれていく男の友情を描いている。監(jiān)督はシリーズの大半を手がけてきた佐伯清。若き日の高倉健が、渡世に生きるやくざを凄みたっぷりに演じている。榊組の美しき未亡人に扮するのは三田佳子。
浩劫后
杰森·羅巴茲,喬貝茲·威廉姆斯,斯蒂夫·古根伯格,約翰·卡倫核子戰(zhàn)爭浩劫一直是人類社會揮之不去的陰影，萬一在哪一天真的爆發(fā)了核戰(zhàn)，那將會是什么景象呢？這部尼古拉斯．邁耶導演的電視電影就是根據這種推測拍成的作品，用寫實手法刻劃美國堪薩斯州勞倫斯市發(fā)生核彈爆炸后的各種景況，從而探討外在世界的變化和人性的內在演變，主題具省思意識，在1983年美國首播時曾造成極大轟動。幾位主要演員：賈森．羅巴茲、喬拜茲．威廉斯、史蒂夫．加頓伯格、約翰．李斯可、埃米．馬迪根等均有緊扣人心的精彩演出。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.