小情人大風(fēng)波
她又遲到了，布魯諾在公寓里等得發(fā)狂，不斷和朋友辯論著在愛情里保有自尊的重要性，布魯諾決定，如果她這次遲到超過45分鐘，他就要徹底和她分手。45分鐘過去，她終于來了法國(guó)偶像級(jí)導(dǎo)演歐容的最新短片，獨(dú)幕劇的結(jié)構(gòu)里，肉感又華美的鏡頭交織出一幅幅戀愛場(chǎng)景，俊男美女口若懸河，機(jī)鋒處處的對(duì)白探索著愛情里永難企及的平衡點(diǎn)。
劇情簡(jiǎn)介
她又遲到了，布魯諾在公寓里等得發(fā)狂，不斷和朋友辯論著在愛情里保有自尊的重要性，布魯諾決定，如果她這次遲到超過45分鐘，他就要徹底和她分手。45分鐘過去，她終于來了法國(guó)偶像級(jí)導(dǎo)演歐容的最新短片，獨(dú)幕劇的結(jié)構(gòu)里，肉感又華美的鏡頭交織出一幅幅戀愛場(chǎng)景，俊男美女口若懸河，機(jī)鋒處處的對(duì)白探索著愛情里永難企及的平衡點(diǎn)。
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魔鏡咒
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等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
副總統(tǒng)
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