劇情簡介
未來的世界由于人口膨脹，政府實行計劃生育，男女之間不允許發(fā)生性關系，只有政府的電腦配對出來的才可以搞搞，而且目的必須是生殖下一代，而不是享樂。; 但是，一個具有反抗性的女子出現了，她帶領抵抗組織違反政府禁令，隨便和男人ML，抵抗組織的規(guī)模也越來越大?！≌谑桥沙鲆粋€y-賤終結者：女機器人，回到20世紀，想找到抵抗領袖的爸爸，通過ML把他搞成陽痿，于是就生不出未來領袖。太陰險了，太毒辣了！且慢，抵抗組織也不是省油的燈，她們也派了抵抗戰(zhàn)士回到20世紀，要在歷史上決一死戰(zhàn)。
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Annie Ngosi Ilonzeh·Marques Houston·Erica Mena·Drew Sidora·Erica Pinkett·Ken Lawson·Claudia Jordan·Obba Babatundé·Jensen Atwood·Taymour Ghazi·Mark Holzum·Jaime Alvarez·Daniel Rodger·Ashton Williams·Lincoln Blake·Dog在將未婚夫留在祭壇后，梅麗莎和朋友們一起住在一間小屋里。當珍妮被發(fā)現在樹林里被肢解，外星人襲擊了國家時，女孩們必須為生存而戰(zhàn)。
殺戮游戲
皮爾森·福德,喬·阿德勒,勞拉·阿什利·塞繆斯,邁克爾·加蘭特,Mouzam Makkar,Sari Sanchez,Tommy Beardmore,Ryan Carr,Patricia Urbonas Clark,Brian Christensen,Jay Disney,Alicia Hilton,Justin Nesbitt,Debbi Burns,希拉里·安德森畢業(yè)于某高中的考特尼（Laura Ashley Samuels 飾）、瑞安（皮爾森·福德 Pierson Fode 飾）、南森（喬·阿德勒 Joe Adler 飾）等人聚在一起聊天，他們俊朗美麗，當初都是學校里備受人關注的明星人物。只不過站在頂端的風云兒常常促狹無度，他們隨意捉弄其他同學，并以此為樂，當然彼此心中默默守護著一個不可輕易為外人道的秘密。某天，他們的同學吉米被一個帶著瑪麗蓮·夢露面具的人抓住，隨后以極其殘酷的手段虐待致死。這件事令眾人大為震驚，而他們隨后也不約而同遭遇各種奇怪事件。 一切似乎指向數年前發(fā)生在珊地海灘的一次“意外”，他們的一位同學溺水身亡，而刻意被隱藏的“意外”則成為他們今天深陷死亡漩渦的肇因。
隱藏殺手
凱爾·麥克拉克倫,邁克爾·諾里一個異形在美國流竄，為了得到它想要的，它殺掉所有擋它路的人，并且用他們的身體作為新的藏身之所，它不斷追尋的是生命的能量，然而另一個借用了一個死去的FBI探員身體的異形對它緊追不舍，無數無辜的人們在這場追擊中喪生
日掛中天
辛芷蕾,張頌文,馮紹峰,薛媛媛,喬琳凱困于七年前一樁意外的兩人再度相遇，美云（辛芷蕾 飾）與葆樹（張頌文 飾）開始了一段愛恨交織、扭曲而痛苦的共生關系。在美云試圖借其峰（馮紹峰 飾）展望新的未來時，卻發(fā)現自己仍深陷舊日漩渦。那些關于情與債的執(zhí)念，再度將所有人推向命運的十字路口……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
野狼防衛(wèi)戰(zhàn)
維林斯·豪塞爾,博·霍普金斯,喬治·肯尼迪,金伯莉·貝克,布里翁·詹姆斯科學家們在一個小鎮(zhèn)的供水系統(tǒng)中下毒，把居民變成殺人狂魔，他們互相殘殺，任何人都能通過。
判妖邪
韓棟,趙黛溪,都桂宇,劉旭,宋海頡殘?zhí)苼y世，瘟疫橫行，傳言妖女吳雙化為邪祟禍害人間。然而，吳雙的哥哥不良人吳令，從不相信自己善良的妹妹會是所謂妖女，他決心以縫尸還魂的秘術，復活被斬首的妹妹，在暗影涌動的瘟神廟中，設下詭局，審判真正的惡人，求一份清白與公道?！ ∮捌鶕唐≌f《古廟夜譚》改編。