那年陽(yáng)光燦爛

★ 6.8 播放：31萬(wàn) 更新：2026-04-29

別名：Machuca 評(píng)點(diǎn)：小童星與大姐姐的故事.... 1973年，智利陸軍司令?yuàn)W古斯托皮諾切特在美國(guó)政府的暗中扶持下，帶領(lǐng)海陸空三軍及警察部隊(duì)發(fā)動(dòng)政變，合力推翻了阿連德總統(tǒng)領(lǐng)導(dǎo)下的社會(huì)主義政府。3000名左翼人士在政變中被殺，上百萬(wàn)阿連德支持者淪為政治犯或被迫流亡。阿連德總統(tǒng)也在戰(zhàn)斗中犧牲，他的死標(biāo)志著共產(chǎn)主義政權(quán)在智利的滅亡，并隨后拉開(kāi)了長(zhǎng)達(dá)17年的軍人獨(dú)裁統(tǒng)治的黑暗序幕。 ;草莓臉兒岡薩羅（Mat iacute;as Quer 飾）生在一個(gè)中產(chǎn)階級(jí)家庭，他就讀于一所昂貴的私人學(xué)校，那里的孩子充滿(mǎn)驕橫之氣，這讓沉默羞澀的岡薩羅在里面顯得格格不入。思想開(kāi)放的神父兼校長(zhǎng)大膽招收了幾名來(lái)自貧窮棚戶(hù)區(qū)的免費(fèi)學(xué)生，在智利這個(gè)92%屬于西班牙和印第安土著混血的國(guó)家，那些2%純種的歐洲血統(tǒng)便形同貴族，所以這幫自覺(jué)高貴優(yōu)渥的孩子自然看不起這幾個(gè)外來(lái)戶(hù)。平靜的學(xué)校不再平靜，有錢(qián)階級(jí)與無(wú)錢(qián)階級(jí)的矛盾逐漸升級(jí)。在不斷的沖突中，窮人孩子馬丘卡（Ariel Mateluna 飾）卻與身處對(duì)立面的岡薩羅建立起了純潔的友誼。 1973年9月11號(hào)政變爆發(fā)，共產(chǎn)主義在智利遭受極大挫敗。貧困階層首當(dāng)其沖遭受沖擊，平等人權(quán)和共產(chǎn)主義在這里成為一紙空文，獨(dú)裁體制瘋狂碾壓每一個(gè)人的生活。岡薩羅與馬丘卡脆弱的友情終于走到終點(diǎn) 

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劇情簡(jiǎn)介

別名：Machuca 評(píng)點(diǎn)：小童星與大姐姐的故事.... 1973年，智利陸軍司令?yuàn)W古斯托皮諾切特在美國(guó)政府的暗中扶持下，帶領(lǐng)海陸空三軍及警察部隊(duì)發(fā)動(dòng)政變，合力推翻了阿連德總統(tǒng)領(lǐng)導(dǎo)下的社會(huì)主義政府。3000名左翼人士在政變中被殺，上百萬(wàn)阿連德支持者淪為政治犯或被迫流亡。阿連德總統(tǒng)也在戰(zhàn)斗中犧牲，他的死標(biāo)志著共產(chǎn)主義政權(quán)在智利的滅亡，并隨后拉開(kāi)了長(zhǎng)達(dá)17年的軍人獨(dú)裁統(tǒng)治的黑暗序幕。 ;草莓臉兒岡薩羅（Mat iacute;as Quer 飾）生在一個(gè)中產(chǎn)階級(jí)家庭，他就讀于一所昂貴的私人學(xué)校，那里的孩子充滿(mǎn)驕橫之氣，這讓沉默羞澀的岡薩羅在里面顯得格格不入。思想開(kāi)放的神父兼校長(zhǎng)大膽招收了幾名來(lái)自貧窮棚戶(hù)區(qū)的免費(fèi)學(xué)生，在智利這個(gè)92%屬于西班牙和印第安土著混血的國(guó)家，那些2%純種的歐洲血統(tǒng)便形同貴族，所以這幫自覺(jué)高貴優(yōu)渥的孩子自然看不起這幾個(gè)外來(lái)戶(hù)。平靜的學(xué)校不再平靜，有錢(qián)階級(jí)與無(wú)錢(qián)階級(jí)的矛盾逐漸升級(jí)。在不斷的沖突中，窮人孩子馬丘卡（Ariel Mateluna 飾）卻與身處對(duì)立面的岡薩羅建立起了純潔的友誼。 1973年9月11號(hào)政變爆發(fā)，共產(chǎn)主義在智利遭受極大挫敗。貧困階層首當(dāng)其沖遭受沖擊，平等人權(quán)和共產(chǎn)主義在這里成為一紙空文，獨(dú)裁體制瘋狂碾壓每一個(gè)人的生活。岡薩羅與馬丘卡脆弱的友情終于走到終點(diǎn) 

導(dǎo)演精選

靈魂密室

　　一位邪惡的馬戲團(tuán)老板在幾位高中生的小鎮(zhèn)上演“鬼屋”，他們必須抗拒他的魔咒。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

非禮勿視

　　八個(gè)感化院的青年在兩名警官的監(jiān)督下，前往鄉(xiāng)間一所破敗的客棧中接受社區(qū)服務(wù)，但是他們的到來(lái)卻無(wú)意中驚醒一個(gè)沉寂已久的惡魔。雅克布?古德奈特 飾（Glen Jacobs 格蘭“凱恩”雅克布 飾），身高七英尺，體重四百磅，頭骨里嵌著一個(gè)生銹的鐵盤(pán)，鋒利的指甲足夠戳穿對(duì)手眼睛的精神病患者。　　雅克布四年前曾被警官弗蘭克?威廉姆斯（Steven Vidler 飾）槍擊頭部，卻僥幸逃生。如今弗蘭克正是這群青年的督導(dǎo)員。弗蘭克和孩子們的出現(xiàn)激起了雅克布屠殺的欲望，他舉起巨斧，將客棧變作血腥的屠宰場(chǎng)……