我的小情人

★ 3.6 播放：92萬(wàn) 更新：2026-04-30

童趣題材影片，這是英年早逝的法國(guó)導(dǎo)演讓.厄斯塔什1974年導(dǎo)演的一部出色的青春片,本片講述了一個(gè)青春期少年成長(zhǎng)的故事,影片的格調(diào)清新寫(xiě)實(shí),還原了上世紀(jì)同時(shí)期法國(guó)小城的生活和社會(huì)現(xiàn)實(shí),同時(shí)通過(guò)對(duì)性曖昧的描寫(xiě)也出色的勾畫(huà)出了青春期的困惑和誘惑,在主角小男孩一步步在誘惑下失去純真走向改變的過(guò)程中也隱喻了導(dǎo)演的個(gè)人表達(dá),我個(gè)人覺(jué)得本片很出色,應(yīng)該算同類題材中很優(yōu)秀的一部作品.

在線播放

劇情簡(jiǎn)介

童趣題材影片，這是英年早逝的法國(guó)導(dǎo)演讓.厄斯塔什1974年導(dǎo)演的一部出色的青春片,本片講述了一個(gè)青春期少年成長(zhǎng)的故事,影片的格調(diào)清新寫(xiě)實(shí),還原了上世紀(jì)同時(shí)期法國(guó)小城的生活和社會(huì)現(xiàn)實(shí),同時(shí)通過(guò)對(duì)性曖昧的描寫(xiě)也出色的勾畫(huà)出了青春期的困惑和誘惑,在主角小男孩一步步在誘惑下失去純真走向改變的過(guò)程中也隱喻了導(dǎo)演的個(gè)人表達(dá),我個(gè)人覺(jué)得本片很出色,應(yīng)該算同類題材中很優(yōu)秀的一部作品.

導(dǎo)演精選

雷霆營(yíng)救

　　講述退役特種兵程凱，為尋找失蹤的醫(yī)療隊(duì)員妻子肖玲，孤身闖入恐怖勢(shì)力猖獗的沙查爾地區(qū)。他潛入核心據(jù)點(diǎn)塔林，與盤(pán)踞此地的雇傭兵展開(kāi)較量。期間受被擄女孩米拉的關(guān)鍵幫助，二人躲避追殺，歷經(jīng)重重艱險(xiǎn)，最終成功沖破封鎖，將米拉救出雇傭兵的魔掌的故事。

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

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