偷月情 Two Moon Junction

? 7.2 播放：99萬(wàn) 2026-04-28

她是豪門淑女，美艷動(dòng)人，在結(jié)婚前夕，結(jié)識(shí)粗獷狂野的派瑞，兩人沉迷在男歡女愛(ài)中，她展露玲瓏身段和淑女激情撩人姿態(tài)，情與欲的交叉使她難以選擇，派瑞將有性命危險(xiǎn)，她的婚禮是否有變？這部最具美感的激情佳片，使你終生難忘。

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? 播放 偷月情 Two Moon Junction

劇情提要

她是豪門淑女，美艷動(dòng)人，在結(jié)婚前夕，結(jié)識(shí)粗獷狂野的派瑞，兩人沉迷在男歡女愛(ài)中，她展露玲瓏身段和淑女激情撩人姿態(tài)，情與欲的交叉使她難以選擇，派瑞將有性命危險(xiǎn)，她的婚禮是否有變？這部最具美感的激情佳片，使你終生難忘。

幕后花絮

亂馬12：決戰(zhàn)桃源鄉(xiāng)！奪回新娘子??！

 又一年的夏天來(lái)臨，在九能帶刀（鈴置洋孝 飾）的倡議下，天道道場(chǎng)的伙伴們決定結(jié)伴出海旅行，誰(shuí)知航行中遭遇風(fēng)暴，眾人最終流落孤島。由于亂馬（山口勝平 飾）和八寶齋（永井一郎 飾）的打鬧，游艇的修繕工作遙遙無(wú)期。正在這時(shí)，小霞姐姐神秘失蹤，最后連珊璞（佐久間レイ 飾）、小靡、右京也不見(jiàn)蹤影。在她們失蹤的現(xiàn)場(chǎng)，全部留下一只桃子。背后黑手原來(lái)是桃幻鄉(xiāng)的幻術(shù)王子桃磨，來(lái)到小島上的所有女孩都被擄走成為他的新娘候補(bǔ)。為了奪回親人和愛(ài)侶，亂馬他們注定要面臨一場(chǎng)惡戰(zhàn)……本片根據(jù)高橋留美子的漫畫《亂馬1/2》改編，系該動(dòng)畫的劇場(chǎng)版。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.