出軌人妻與性欲處女

★ 2.0 播放：56萬 更新：2026-04-30

由兩段故事組成：1.相戀七年分手的男人遇上人妻老板娘雙宿雙飛...2.兩個(gè)老處女的俱樂部艷遇之旅

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由兩段故事組成：1.相戀七年分手的男人遇上人妻老板娘雙宿雙飛...2.兩個(gè)老處女的俱樂部艷遇之旅

導(dǎo)演精選

逆向誘拐

　　跨國投資銀行香港高層約翰收到勒索電郵，如不按指示三日內(nèi)交出約十九萬港幣，有關(guān)臺灣科網(wǎng)龍頭公司之機(jī)密融資分析就會被公開。為了公司聲譽(yù)，也為免客戶股價(jià)大幅波動，約翰暗中找來昔日大學(xué)舍堂堂友兼刑警唐輔協(xié)助調(diào)查?！　C(jī)密融資分析由約翰四位下屬負(fù)責(zé)，其中牧野一度失蹤，嫌疑極大。發(fā)現(xiàn)檔案在內(nèi)聯(lián)網(wǎng)被偷之小儒，因曾向電腦部職員阿植求救，結(jié)果整個(gè)團(tuán)隊(duì)連阿植六人，都被約翰安排到附近一間貴賓公寓套房，接受唐輔以至其手下全天候監(jiān)視，直至完成贖金交易。　　由于贖金奇少，綁匪顯然志不在錢，其多個(gè)古怪指示更令人困惑。當(dāng)阿植協(xié)助追蹤綁匪電郵源頭時(shí)，竟發(fā)現(xiàn)電郵是由公司伺服器發(fā)出，換言之綁匪必有內(nèi)應(yīng)。其后電郵證實(shí)來自阿植手機(jī)，縱然他在早上已遺失手機(jī)，而最后是小儒接觸他手機(jī)，阿植依然百詞莫辨。　　唐輔發(fā)現(xiàn)阿植家庭背景殊不簡單，疑似內(nèi)應(yīng)之神秘人又頻頻現(xiàn)身，加上科網(wǎng)公司原來曾有高層因新一代網(wǎng)上平臺開發(fā)延誤而被迫離職，甚至行蹤成疑，這一切都有關(guān)連嗎？　　由開發(fā)延誤導(dǎo)致融資失敗，由此可能觸發(fā)新一輪全球股災(zāi)，到最后綁匪竟要求用約翰用網(wǎng)上拍賣繳交贖款，究竟唐輔這一代會明白新一代的上網(wǎng)心態(tài)嗎？不了解又能否替約翰低調(diào)破案？阿植又可會知道誰是真兇？以至真兇為何要陷害他嗎？　　綁匪背后真正動機(jī)又是什麼？

圣誕寶寶

　　When a baby boy shows up on their doorstep days before Christmas with a note written specially for them, Erin (Liebert) and Kelly (Barrell) must learn how to navigate their new relationship and career dynamics while unexpectedly caring for a newborn. As the couple spends more time with the baby as a temporary solution until he can be placed permanently or they can find his mother, they begin to realize that they want to adopt him themselves and go about navigating the complicated world of fostering to adopt all while their business is booming at the busiest time of the year, Christmas. Starring Ali Liebert, Katherine Barrell and Barbara Niven.

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.