劇情簡介
偉、銘和珍三人自幼青梅竹馬，偉、銘兩人同時愛著珍，唯偉因富有而得珍歡心，銘決定往南洋拜降頭師拉寶。銘學(xué)成回港尋偉、珍，并相約露登，銘施苦肉計，將自己抓傷，二人送銘入院，群醫(yī)束手無策，銘說只有南洋降頭師拉寶可救他。偉與珍赴南洋找得拉，他騙珍之頭發(fā)和血液制成"愛情降"，珍突然出走，偉不知所措，幸得另一降頭師蘇菲亞幫助，拯救珍，珍在林中獨行，霧中遇上銘，自動獻身，二人林中繾綣難分，蘇與偉趕到，并施法為珍解降 hellip; hellip;
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詛咒之刃
A large villa belonging to a collector that is about to be restored into a museum traps project workers who are carrying out a survey. A curse is released, killing the humans inside one by one
飛馳人生3
沈騰,尹正,黃景瑜,張本煜,魏翔,沙溢,范丞丞,孫藝洲,段奕宏,張新成,胡先煦,李治廷,白宇帆,周政杰,高華陽,賈冰,王安宇,陳永勝,馮紹峰,郝瀚巴音布魯克最后一站收官后，張馳（沈騰 飾）受邀作為車隊主教練征戰(zhàn)全新賽事“沐塵100拉力賽”，“野生車手”走上國際舞臺！面對高手如云的全新賽道，孫宇強（尹正 飾）、記星（張本煜 飾）一如既往協(xié)同作戰(zhàn)，林臻東（黃景瑜 飾）等實力車手應(yīng)邀強勢集結(jié)，一支凝聚了頂配速度與信念的車隊就此成立！然而，張馳發(fā)現(xiàn)真正的挑戰(zhàn)仿佛并非來自比賽本身，賽場之外暗流涌動，讓他們飛馳之路充滿變數(shù)……
雙瞳
梁家輝,劉若英,戴立忍,大衛(wèi)·摩斯,楊貴媚,林涵,郎雄由于兩年前揭發(fā)同僚貪污，臺北警官黃火土（梁家輝）被上級報復(fù)調(diào)入冷門的外事組工作，利益也曾連帶受損的新同事對他怒言相向，加上妻子清芳（劉若英）受不了他長期不回家要求離婚，黃火土感覺他的世界正在逐漸四分五裂。就在此時，三宗受害者的身份并無關(guān)聯(lián)的震驚了臺灣社會的離奇命案發(fā)生，法醫(yī)（楊貴媚）驗尸發(fā)現(xiàn)他們都是因中一種神秘的黑霉菌產(chǎn)生幻覺而死，因為缺乏此方面的人才，當(dāng)局從美國請來此種案例的偵辦專家凱文萊特（David Morse）協(xié)助破案，黃火土重被任用。隨著一樁令所有人都目瞪口呆的事實的被發(fā)現(xiàn)，一場圍繞政治利益與民眾利益的斗爭也在黃火土和辦案伙伴李豐博（戴立忍）及整個警察隊伍之間展開。
征服者2
蘭維爾·辛格,阿克夏耶·坎納,桑杰·達特,阿俊·拉姆鮑,馬達范,莎拉·阿爾瓊,Rakesh Bedi,Danish Pandor,Saumya Tandon,高拉夫·杰拉,Manav Gohil,Naveen Kaushik,阿卡什·庫拉納,K Anshuman Thakur,Vikash RaiHamza Ali Mazari, whose real identity is Jaskirat Singh Rangi, pursues his undercover operation within Pakistan's criminal world while tracking down Majo.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
國家韋恩：念舊
Wayne Colley,Tamara Stackhouse,Lauren Cadogan,Savannah Gurule國家韋恩最新單口喜劇專場。
天使航班電影版
米倉涼子,松本穗香,城田優(yōu),矢本悠馬,野呂佳代,向井理,遠(yuǎn)藤憲一本片劇情依然圍繞遺體送還公司“天使之心”展開。社長伊澤那美得知8年前身亡的戀人或許仍在世而心神動搖。萬圣節(jié)期間，公司成員奔赴世界各地處理送還事務(wù)：有人面對因嬰兒猝死而自責(zé)的母親，有人護送突然離世的明星回國，也有人送別在旅途中去世的青年。那美在墨西哥執(zhí)行任務(wù)時，一邊處理逝者身后事，一邊被舊日戀情的線索牽動，在生死與思念交織中重新審視自己的內(nèi)心。