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劇情簡介
新江山美人林偉健版本明朝武宗年間,由于天子朱厚照(正德皇)治國有方,所以國泰民安,因此便安心終日留連后宮佳麗的溫柔鄉(xiāng),但正所謂物極必反,由手下建議的各種古怪荒唐閨房 玩意,加上本身亦縱欲過度而元氣大傷,變成時舉時不舉,深為陽萎而煩憂,因此便決定帶同小太監(jiān)小董南下尋找名醫(yī),希望能醫(yī)治龍根,一日兩人輾轉來到梅龍 鎮(zhèn),機緣巧合下在龍鳳店遇上風情萬種的俏鳳姊,用盡各種絕招,及調製祖?zhèn)髅胤?,過程笑料百出,y-愛連篇,結果把正德皇的龍根命運完全改變
同類好片
撒冷鎮(zhèn)2024
劉易斯·普爾曼,威廉·桑德勒,皮魯·埃斯貝克,麥肯茲·利,比爾·坎普,阿爾法·伍達德,斯賓塞·崔特·克拉克,約翰·本杰明·西基,尼古拉斯·克羅維蒂,Debra Christofferson,凱德·伍德沃德,瑞貝卡·吉貝爾,凱蘭·呂德,塞拉·希烏爾曼,Jordan Preston Carter,邁克·巴什,Danielle Perry,Carly Silverman,加文·馬多克斯·伯格曼,Fedna Jacquet走心男
權相佑,文彩元請以你的名字呼喚我
艾米·漢莫,提莫西·查拉梅,邁克爾·斯圖巴,阿蜜拉·卡薩,艾斯特·加瑞爾,維克圖瓦爾·杜布瓦,旺妲·卡布里奧羅,安東尼奧·里莫爾迪,埃琳娜·布奇,馬可·斯格羅索,安德烈·艾席蒙,彼得·斯皮爾斯天山玉女劍
黃秋燕,溫兆倫,楊麗菁,關秀媚,湯鎮(zhèn)業(yè),惠英紅,關海山惡人的道路
維尼·瓊斯,克里斯蒂安·史萊特,Emily Tennant惡魔在上
丹尼爾·尤因,蒂姆·波考克,Sophie Don,杰西卡·格林,Ben Chisholm,Emily Joy,James Straiton,費利克斯·威廉森,約翰·雷諾茲人氣佳作
感恩節(jié)
帕特里克·德姆西,泰·奧爾森,吉娜·格申,加布里埃爾·達文波特,凱倫·克里奇,內爾·維拉克,里克·霍夫曼,德里克·麥克加特,凱瑟琳·特羅維爾,杰倫·托馬斯·布魯克斯,米卡·阿蒙森,阿曼達·巴克,沙琳·格里芬,提姆·狄龍,克里斯·桑迪福德,艾蒂森·蕾,托馬索·薩內里,珍娜·沃倫,林恩·格里芬公寓管理員
帕特里克·約翰·弗呂格,方·基默,路易莎·克勞瑟,保羅·本-維克托,尤爾·瓦斯克斯,梅麗莎·博洛納,金·迪萊克特,阿曼達·沃倫,斯坦·德米多夫,盧克·愛德華茲,艾麗克斯·埃索,Mattea Conforti,泰勒·理查森,Andrea Lynn Green,Travaris Spears,奧基里特·奧諾多瓦二十五世紀宇宙戰(zhàn)爭
吉爾·杰拉德,帕梅拉·亨斯利,愛琳·格雷,亨利·席爾瓦,約瑟夫·懷斯曼記憶裂痕:血親幻影
里羅·得萬托,法拉迪娜·穆夫提,馮尼·安格萊尼,Jordan Omar,Nova Eliza,Gambit Saifullah,Tony Merle,Sultan Hamonangan,Henry Manampiring導演精選
無依之地
2008年金融危機下,美國內華達州昂皮爾小鎮(zhèn)的重要經濟支柱石膏廠倒閉,人去鎮(zhèn)空,這里的郵政編碼也被取消。丈夫去世后,幾乎在在昂皮爾小鎮(zhèn)度過了一生的弗恩(弗蘭西斯·麥克多蒙德飾)無力獨撐生活。為了將生活成本壓到最低,她將簡陋的家當搬上了改裝后的廂式貨車,開始了一邊打工、一邊西行的公路生活。她在亞馬遜流水線上、在游樂園的咖啡廳里、在國家森林公園做臨時工。一路上,她和許多廂式貨車寄居者相遇、相識,彼此幫助,并締結了友誼。
春天不是讀書天
芝加哥又迎來了晴朗的一天,逃學高手菲利斯(馬修?布羅德里克 Matthew Broderick 飾)自然不會在這天選擇枯燥的測驗,他偽裝病重騙過父母,令同校的姐姐珍妮徒勞嫉妒。菲利斯找來好友凱倫(阿蘭?盧克 Alan Ruck 飾),兩人聯(lián)手騙過訓導主任羅寧,駕駛凱倫父親珍藏的法拉利將菲利斯女友思朗接出學校兜風,菲利斯嫻熟的電話騙術在凱倫和思朗的配合下將眾人戲弄的團團亂轉,學生們反而受他的影響頗深,在校內發(fā)起給菲利斯謊稱的手術捐款。羅寧不堪忍受菲利斯一次次得欺騙,“微服私訪”去校外希望能將菲利斯捉個正形,而在城中四處游蕩的菲利斯三人則展開了一場隱藏自己身份的冒險……
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.