山狗1980
郊外的狗牙山上,高佬、病甩毛(鄭則仕暫無(wú)內(nèi)容飾)和矮腳虎等五個(gè)游手好閑的流氓終日偷雞摸狗,好不逍遙得意。近來(lái)天氣晴好,阿華與阿玲(莊靜而暫無(wú)內(nèi)容飾)兄妹喚上三名青春朋友,一同去狗牙山露營(yíng),在露營(yíng)地,阿玲被矮腳虎一伙撞見(jiàn),后者遂其歹意,但礙于阿華在場(chǎng)不能得逞。但不該發(fā)生的事情還是發(fā)生了,阿玲在河邊遭矮腳虎等人強(qiáng)暴,阿華操起斧頭追兇,卻慘遭流氓們算計(jì),慘死山中。雖有當(dāng)?shù)卮彘L(zhǎng)包庇,但這伙流氓仍被警方拘捕,可阿玲受辱后精神錯(cuò)亂,已沒(méi)有指認(rèn)罪犯的能力,于是惡徒得以逍遙法外,出面作證的村民也遭到毒打。此時(shí)家中的玲父為一雙子女的遭遇痛徹心扉,決定要靠自己的雙手懲治兇手!
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阿特羅皮亞
阿莉雅·肖卡特,克洛伊·伊斯特,查寧·塔圖姆,科洛·塞維尼,簡(jiǎn)·利維,卡勒姆·特納,蒂姆·海德克,吉爾·佩雷斯-亞伯拉罕,索爾·洛佩斯,托比·尼克爾斯,托尼·肖卡特,普莉希拉加里塔,吉爾伯托·奧爾蒂斯,Dash Melrose,沙霍莉·艾爾斯,理查德·布萊克蒙,阿里烏斯·巴恩斯,扎赫拉·阿爾祖拜迪,菲爾·伯格斯,肖恩·崔毛骨悚然撞鬼經(jīng) 15周年特別篇
稻垣吾郎,草彅剛,北乃綺,坂上忍,石原里美,小池徹平,桐谷美玲,菜菜緒,黑木瞳,町田啟太,剛力彩芽,島崎遙香,廣瀨愛(ài)麗絲,藤本泉戰(zhàn)栗驅(qū)魔
漢娜·邦·本茲,迪恩·基爾貝,Nicholas Anscombe新萬(wàn)圣節(jié)
馬爾科姆·麥克道威爾,布拉德·道里夫,威廉·弗西斯,雪莉·穆恩·贊比人工情報(bào)
趙寅成,樸正民,樸解浚,申世景銀河守門員
維多利亞·阿加拉科娃,Georgiy Bestaev,Khristina Blokhina,Valeriya Bukhina,沃爾夫?qū)と麪柲?Aleksandra Cherkasova,Artyom Chetverikov,Ekaterina Dar,Olga Degtyaryova,瓦萊麗婭·德米特里耶娃,Pavel Dorofeev,米克哈爾·弗里蒙弗,Ivan Egorov,Diana Enakaeva,Ivan Fedotov,斯維特蘭娜·伊萬(wàn)諾娃,瑪爾塔·蒂莫菲娃,尤里·庫(kù)琴科,葉甫蓋尼·米羅同類推薦
浴血黑幫:不朽傳奇
基里安·墨菲,麗貝卡·弗格森,蒂姆·羅斯,蘇菲·蘭朵,奈德·丹內(nèi)利,派克·李,伊恩·佩克,杰伊·利庫(kù)戈,巴里·基奧恩,斯蒂芬·格拉漢姆,薩米·喬納斯·希尼,魯比·阿什伯恩·瑟金斯,山姆·貝克-瓊斯,卡斯珀·希爾頓-希勒,馬丁·安格鮑爾,馬克·威爾金森,托馬斯·阿諾德,安迪·M·米利根,羅利·威爾遜,馬克斯·凱文漢姆1940年的伯明翰,在第二次世界大戰(zhàn)的混亂中,湯米·謝爾比(基里安·墨菲 飾)從自我放逐中回歸,直面著迄今為止最具破壞性的清算。家族和國(guó)家的未來(lái)岌岌可危,湯米必須面對(duì)自己心中的惡魔,并選擇是直面它還是將其毀滅。
電視臺(tái)風(fēng)云
費(fèi)·唐納薇,威廉·霍爾登,彼得·芬奇,羅伯特·杜瓦爾,尼德·巴蒂,比阿特麗斯·斯特雷特妻子的死給電視臺(tái)王牌主播霍華德(彼得·芬奇 Peter Finch 飾)帶來(lái)了沉重的打擊,使他陷入痛苦和悲傷中無(wú)法自拔。電視臺(tái)決定解雇已經(jīng)無(wú)心工作的霍華德,霍華德的老朋友麥克斯(威廉·霍爾登 William Holden 飾)成為了傳達(dá)這一噩耗的不二人選。得知自己即將被 解雇,為電視臺(tái)做牛做馬多年的霍華德十分憤怒,在第二天的節(jié)目上,他竟然向觀眾們預(yù)告,自己即將進(jìn)行自殺直播?;羧A德的這一出格舉動(dòng)惹惱了電視臺(tái)的高層,更讓一直對(duì)麥克斯心存不滿的總裁弗蘭克(羅伯特·杜瓦爾 Robert Duvall 飾)發(fā)現(xiàn)了找茬的機(jī)會(huì)。在隔天的新聞直播中,霍華德理應(yīng)按計(jì)劃對(duì)自己的不慎言行做出道歉,可是惱羞成怒的他卻大放厥詞,將矛頭直指當(dāng)代美國(guó)的種種弊端。女制片人戴安娜(費(fèi)·唐納薇 Faye Dunaway 飾)從霍華德的一系列行為中看出了商機(jī),她買通了弗蘭克,成為了霍華德背后的推手。
午夜場(chǎng)
范夢(mèng),馮言彥,鄧先宇,歷家兵,李子雄《午夜場(chǎng)》講述了戲院經(jīng)理林梅(范夢(mèng)飾演)與戲院大小姐子君(馮言彥飾演)是無(wú)話不談的閨蜜,在子君即將結(jié)婚前,無(wú)意間發(fā)現(xiàn)林梅好似和自己的未婚夫家俊(鄧先宇飾演)有著某種不為人知的關(guān)系。某一天,在他們工作的三十七號(hào)古宅內(nèi),一場(chǎng)備受關(guān)注的木偶劇目正在上演,而神秘的木偶附身也即將開(kāi)始。隨著現(xiàn)實(shí)詭異畫(huà)面與林梅的夢(mèng)境交織,令人意想不到的真相浮出水面!
蒙上你的眼:逃出巴塞羅那
喬治娜·坎貝爾,馬里奧·卡薩斯,迭戈·卡爾瓦,米歇爾·珍娜,萊昂納多·斯巴拉格利亞,洛拉·杜埃尼亞斯,帕特里克·克里亞多,Alejandra Howard,西莉亞·費(fèi)杰羅,Naila Schuberth,岡扎洛·德·卡斯特,Manel Llunell,米洛·塔波阿達(dá),Brian Lehane,Gerard Oms《蒙上你的眼:逃出巴塞羅那》由《蒙上你的眼》的制作人傾情打造,是 2018 年備受觀眾青睞的熱門電影的衍生作品。在一股神秘力量使世界人口大量減少之后,塞巴斯蒂安必須在巴塞羅那荒涼的街道上展開(kāi)自己的求生之旅。當(dāng)他與其他幸存者結(jié)成不穩(wěn)定的聯(lián)盟,并試圖逃離這座城市時(shí),一個(gè)意想不到、甚至更加險(xiǎn)惡的威脅正在增長(zhǎng)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.