太太度假時(shí)

評(píng)分：6.5 播放：58萬(wàn) 更新：2026-04-23

安德烈達(dá)米亞尼（萊恩佐蒙特納尼）是肉類(lèi)工廠的經(jīng)理,他雖然和瓦萊里婭（芭芭拉 布薛特）結(jié)了婚，心中卻一直惦記著舊情人（艾德薇姬芬妮齊）。正好,這個(gè)夏天太太出去度假，安德烈達(dá)米亞尼喜上眉梢,覺(jué)得終于有機(jī)會(huì)了,誰(shuí)知道,事情卻變得更糟起來(lái)... 　　

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鬼馬朱唇

蔡楓華,王青,古珍珍,李玄麗

　　音樂(lè)家西門(mén)(蔡楓華飾)生性風(fēng)流不羈，乘帶領(lǐng)樂(lè)團(tuán)赴韓演奏之便，探望開(kāi)設(shè)跆拳道館之好友大口(王青飾)。大口投其所好，贊成他在韓國(guó)盡情開(kāi)心，唯獨(dú)不能打其妹阿淑(李玄麗飾)主意。但機(jī)緣巧合之下西門(mén)巧遇阿淑，一見(jiàn)鐘情，阿淑更以身相許。誰(shuí)知西門(mén)對(duì)阿淑只是抱玩弄心情，西門(mén)假稱(chēng)要返香港，實(shí)則回到大口處向其炫耀其風(fēng)流史。恰巧阿淑來(lái)到探望兄長(zhǎng)，聞言傷心欲絕，大口卻氣到七竅生煙。淑獨(dú)自躲到雪山，西門(mén)冒雪崩危險(xiǎn)尋覓阿淑。結(jié)果，兩人幾經(jīng)艱辛脫險(xiǎn)后，有情人終成眷屬。

昆池巖

魏嘏雋,樸智賢,吳雅妍,文藝媛,樸成焄,柳濟(jì)允,李承旭

　　原名南營(yíng)神經(jīng)精神醫(yī)院的昆池巖精神病院，最早建立于20世紀(jì)60年代。在特殊的時(shí)代它曾經(jīng)歷了無(wú)比的輝煌，然而更為人熟知的則是該醫(yī)院身上所發(fā)生的各類(lèi)恐怖事件?，F(xiàn)如今，早已廢棄的昆池巖醫(yī)院被CNN票選為全球七大恐怖之地之一，更由此吸引無(wú)數(shù)尋求刺激的青年男女來(lái)此探險(xiǎn)。三個(gè)月前，兩名青少年來(lái)此探險(xiǎn)，結(jié)果在直播中遭遇詭異事件，下落不明。此后，《恐怖世代》劇組在魏河俊的召集下，網(wǎng)羅了吳雅妍、樸智賢、夏洛特（文藝媛 飾）、李丞旭、樸成勛、劉帝允等人前往昆池巖，更試圖打開(kāi)備受詛咒的402室。　　夜幕降臨，全球網(wǎng)友一道觀看這場(chǎng)恐怖盛宴……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

日本的首領(lǐng)：完結(jié)篇

三船敏郎,菅原文太,大谷直子,佐分利信,片岡千惠藏 ,西村晃,山本由香利,佐藤慶,遠(yuǎn)藤太津朗,高橋悅史,二宮小夜子,渡邊文雄,仲谷升,金子信雄,小池朝雄,東惠美子,稻葉義男,小林稔侍,待田京介,真野玲,櫻町弘子,志賀勝,鈴木瑞穗,寺田農(nóng),安部徹

　　大石剛介（三船敏郎 飾）升任關(guān)東同盟理事長(zhǎng)，與中島組佐倉(cāng)一誠(chéng)（佐分利信 飾）勢(shì)均力敵，維持著表面的和平。但日本政界要員大山喜久夫（片岡千惠藏 飾）因癌癥病倒，幾乎再次點(diǎn)燃兩派戰(zhàn)火。大山幸得一宮恭夫（高橋悅史 飾）醫(yī)治死里逃生，因此號(hào)召幫派聯(lián)合，遭到兩派抵制。　　此時(shí)塞班島開(kāi)發(fā)項(xiàng)目成為抗?fàn)幍膶?dǎo)火索。中島組干部川西（菅原文太 飾）為籌措資金，強(qiáng)令木村建設(shè)破產(chǎn)，并將木村之女獻(xiàn)給保守黨要員刈田（西村晃 飾）。另一方面，大石拉攏刈田的兒子春男入伙，作為特使赴塞班島向美國(guó)官員行賄。大山暗示佐倉(cāng)除去大石，一場(chǎng)攪和了黑幫、政客、外國(guó)人的紛爭(zhēng)就此展開(kāi)，而佐倉(cāng)似乎也朝日本首領(lǐng)的目標(biāo)又邁進(jìn)了堅(jiān)實(shí)的一步……