艾曼妞肉欲樂園

★ 5.5 播放：19萬 更新：2026-05-01

艾曼扭這次來到印度洋的小島渡假，她和克蘿在這無聊的島上混了很久，總是看不到新的變化．在她心中是越來越沈悶。不久倒上來了一對攝影隊，其中導演格雷哥里更是英俊瀟灑，她和克蘿很高興島上總來了些較不景“景色“，于是他們二人不久與導演追求。艾曼扭在一氣之下，她用極端手段向他證明她才是他真正的愛人。

在線播放

劇情簡介

艾曼扭這次來到印度洋的小島渡假，她和克蘿在這無聊的島上混了很久，總是看不到新的變化．在她心中是越來越沈悶。不久倒上來了一對攝影隊，其中導演格雷哥里更是英俊瀟灑，她和克蘿很高興島上總來了些較不景“景色“，于是他們二人不久與導演追求。艾曼扭在一氣之下，她用極端手段向他證明她才是他真正的愛人。

導演精選

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

女人們的談話

 來自與世隔絕的宗教社區(qū)的婦女們努力使她們的現(xiàn)實與她們的信仰相協(xié)調。通過背景故事，我們看到一個婦女社區(qū)聚集在一起，研究如何共同前進，為她們自己和她們的孩子建立一個更美好的世界。要么留下來戰(zhàn)斗，要么離開。她們不會什么都不做。

孤立無援

　　一個被放逐的焦慮不安的居家者必須與一個進入她家的外星人戰(zhàn)斗。