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斯大林格勒大血戰(zhàn)
鮑沃斯·布斯,柳博米拉斯·勞恰維丘斯,謝爾蓋·尼科年科,費(fèi)爾南多·阿連德,米哈伊爾·烏里揚(yáng)諾夫,格特·容加斯,鮑里斯·涅夫佐羅夫,布魯諾·弗雷因德利赫,亞歷山大·戈洛博羅德科,Yevgeni Burenkov,費(fèi)奧多爾·邦達(dá)爾丘克,卡爾·海因茨·喬恩斯基,歐克薩娜·范德拉,謝爾蓋·加爾馬什,瓦倫丁·格魯本科,Andrei Grinevich,安德烈·古塞夫,Gerd Michael Henneberg,阿爾喬姆·卡拉佩強(qiáng),季格蘭·格奧薩揚(yáng),尼古拉·克留奇科夫,羅納德·萊西,Horst Schulze,La判決2025
里羅·得萬托,禮薩·拉哈迪安杜塞
瓦萊麗亞·布魯尼·泰德斯基,諾米·梅蘭特,文森佐·內(nèi)莫拉托,范尼·伍羅奇納,福斯托·魯索·阿萊西,馬切羅·馬扎雷拉,文森佐·皮羅塔,費(fèi)德里科·帕西菲奇,選填,Iacopo Fanelli,Gaja Masciale,文琴察·莫迪卡,米莫·博雷利,Edoardo Sorgente,薩維諾·帕帕雷拉,Vincenzo Iantorno納什維爾謀殺案
Sarah Zanotti,Nick Puya,科賓·蒂布魯克,Kate Dailey,Alex Bowling,Ellen B. Williams,Christopher St. Mary,Trisha Owen,Diane D Carter,Allen C. Shepherd Sr.鬼迷藏
Nada Chareontong,Wuttiphat Kijchakan,Long Shi Lee新年伊始 不合適也要有個限度！～不能認(rèn)真聊聊嗎？～
阿部貞夫,仲里依紗,磯村勇斗,吉田羊,河合優(yōu)實(shí),錦戶亮,江口德子,袴田吉彥,小野武彥,坂元愛登,三宅弘城,八島智人,中島步,山本耕史,古田新太同類推薦
希望的另一面
韋勒·維坦恩,卡蒂·奧廷寧,湯米·柯貝拉,什萬·哈吉,詹恩·海蒂恩,瑪麗亞·賈維納廉明,薩卡里·庫斯曼嫩,約恩·唐納,妮若茲·哈吉,伊爾卡·克伊瓦拉,米爾卡·阿羅斯,蒂莫·托里克卡,蘇勒維·佩爾托拉,坦利·梅克拉,努普·科伊武一個叫做哈立德的年輕敘利亞難民幾乎失去了所有的家人。近乎偶然之下，他藏在一艘運(yùn)煤船里流落到赫爾辛基成了一個偷渡客，并在當(dāng)?shù)貙で笳伪幼o(hù)。維克斯特倫是一個旅行推銷員，他在牌桌上贏了一大筆錢之后在赫爾辛基的一條后街買了一家不賺錢的餐館。在當(dāng)?shù)卣鞒鲆獙⒐⒌虑卜祷匕⒗疹H的判決后，他決定非法留在這個國家。最終，維克斯特倫發(fā)現(xiàn)哈立德睡在他餐館的內(nèi)院里，并聘請他到自己餐館里做清潔工和洗碗工。生活會短暫地向我們展示它光明的一面，然而命運(yùn)很快就會插手其中。
暗夜鬼抓床
肖娜·麥克唐納,Leah McNamara,羅斯·諾貝爾Paralyzed after a terrible accident, Dana struggles to regain her life and family when she encounters a malevolent ghost in her hospital room.
我的秘密圣誕老人
麥迪遜·麥克伊薩克,瑞安·艾戈?duì)柕?亞利桑德拉·布萊肯瑞吉,蒂亞·莫里,Andy Magee,亞當(dāng)·博謝納,杰登·歐尼亞,威廉·C·沃恩,巴里·W·萊威,Katie Stone,布列塔尼·霍布森,Cam Woodman,凱拉·哈瑟斯,Piper Dacosta一位單身母親需要工作，一個滑雪度假村需要圣誕老人。泰勒假扮成圣誕老人，她能否騙過迷人的酒店繼承人，拿到這份工作？
地獄迪斯科
Soni Bringas,Stephen Ruffin,海倫妮·尤迪一對年輕夫婦準(zhǔn)備燒毀洛杉磯最熱門迪廳的舞池，結(jié)果召喚出一股渴望未出世嬰兒的黑暗力量
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster