暴風(fēng)雨事件

評(píng)分：0.4 播放：91萬(wàn) 更新：2026-04-29
主演： promotetax 

高中同學(xué)金（瀉湖）和（限定）。摯友的兩人大學(xué)畢業(yè)后的就業(yè)不只是生活著。金表面，豪爽大方，家長(zhǎng)的頑固的父親總是責(zé)備自己，成長(zhǎng)了。特別是，學(xué)生時(shí)代的模范生，覆讓人稱贊自己吝嗇的父親每次都被韓總比沒(méi)有稱贊..

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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

庫(kù)梅爾·南賈尼：夜間思緒

庫(kù)梅爾·南賈尼

　　

一一

吳念真,李凱莉,金燕玲,張洋洋,蕭淑慎,尾形一成,陳希圣,林孟瑾,陳以文,柯宇綸,張育邦,柯素云,唐如韞,徐淑媛,曾心怡,陶傳正

 NJ（吳念真）是個(gè)很有原則的生意人，同妻子敏敏（金燕玲）、女兒婷婷（李凱莉）、兒子洋洋（張楊洋）以及外婆住在臺(tái)北某所普通公寓里。小舅子的一場(chǎng)麻煩婚禮過(guò)后，因?yàn)橥馄磐蝗恢酗L(fēng)昏迷，他迎來(lái)更加混亂的日子。敏敏公司、家里兩頭跑，時(shí)常感覺(jué)自己要被耗空；婷婷一直為外婆的中風(fēng)內(nèi)疚，戀愛(ài)談到中途發(fā)現(xiàn)自己不過(guò)是替代品；NJ更是麻煩重重，公司面臨破產(chǎn)，他又不愿放下別人眼里一文不值的自尊。一家人里，似乎只有洋洋沒(méi)有煩惱，他平靜地用照相機(jī)拍著各種人的背面，幫他們長(zhǎng)出另一雙眼睛，然而，洋洋簡(jiǎn)簡(jiǎn)單單的一句話，道出更深的悲涼。