少林寺酒天鬼童

? 4.1 播放：04萬 2026-05-04

罕見的中西演員聯(lián)合演繹的古裝經(jīng)典，值得一看哦。在一個(gè)小鎮(zhèn)里生活著臭名昭著的邪惡廖。 當(dāng)他一個(gè)人在街上看到的女孩時(shí)，一個(gè)看起來非常相似的女孩廖被強(qiáng)奸和謀殺 - 他吩咐他的男人檢查尸體。 他們發(fā)現(xiàn)女孩的尸體失蹤，并發(fā)現(xiàn)了鬼魂，巫婆和惡魔的驚險(xiǎn)神秘，所有這些都摧毀了愚蠢的廖。 　　

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? 播放 少林寺酒天鬼童

劇情提要

罕見的中西演員聯(lián)合演繹的古裝經(jīng)典，值得一看哦。在一個(gè)小鎮(zhèn)里生活著臭名昭著的邪惡廖。 當(dāng)他一個(gè)人在街上看到的女孩時(shí)，一個(gè)看起來非常相似的女孩廖被強(qiáng)奸和謀殺 - 他吩咐他的男人檢查尸體。 他們發(fā)現(xiàn)女孩的尸體失蹤，并發(fā)現(xiàn)了鬼魂，巫婆和惡魔的驚險(xiǎn)神秘，所有這些都摧毀了愚蠢的廖。 　　

幕后花絮

急凍奇?zhèn)b

　　故事開始于明朝，鳳三（元華 飾）心腸歹毒，無惡不作，身為錦衣衛(wèi)，同時(shí)又是鳳三的師弟，方守正（元彪 飾）發(fā)誓要將鳳三繩之于法。然而，鳳三此人詭計(jì)多端，甚至想要偷取能夠扭轉(zhuǎn)時(shí)空的黑玉佛，借此逃脫法網(wǎng)，幾番爭斗之后，兩人雙雙跌落山崖?！　r(shí)光荏苒，轉(zhuǎn)眼已是現(xiàn)代，考古隊(duì)在雪地中挖掘出了鳳三和方守正被冰封住的尸體，將兩人運(yùn)往美國研究，然而，途中一場意外卻令兩人死而復(fù)生。方守正于機(jī)緣巧合之下遇見了名為阿玉（張曼玉 飾）的不良少女，陰差陽錯(cuò)的成為了她的保鏢，而鳳三不改奸邪本性，加入了黑社會，繼續(xù)為非作歹。當(dāng)方守正得知鳳三依舊作惡多端后，他決定繼續(xù)自己未完成的使命。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.