我的朋友 他的老婆

遠足驚魂

　　講述一個從阿富汗的退役的女兵凱特組織了一群年輕美貌的少女到英國鄉(xiāng)村業(yè)林里探險活動……

外星博士

　　阿克曼博士是當?shù)匾凰髮W的生物老師，他在被不明飛行物追趕時遇到了意外的死亡。韋斯利，他的一個學生，在吸引女性方面有困難。這一切都發(fā)生了變化，當Xenobia女士接管了阿克曼的課程，并說服衛(wèi)斯理參加一些維生素研究，她和她的助理Drax正在進行。突然，韋斯利變得很有魅力，盡管在興奮的時候，他的腦袋里長出了肉質(zhì)的天線。他新發(fā)現(xiàn)的成功可能會疏遠他真正關(guān)心的那個女孩(Leeanne)，而Xenobia的動機可能與她不是這個地球的事實有關(guān)。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

老板和小可愛