巴黎誘惑

喪尸足球

　　又是一年足球賽季，成績(jī)不甚良好的巴黎隊(duì)即將前往卡布隆吉與當(dāng)?shù)厍蜿?duì)進(jìn)行對(duì)抗。巴黎隊(duì)球星山姆·羅瑞特（奧爾本·勒努瓦 Alban Lenoir 飾）出生于卡布隆吉，他最近表現(xiàn)不太出色，因此備受媒體奚落。與此同時(shí)，眾多球迷相繼云集到球場(chǎng)，準(zhǔn)備欣賞一場(chǎng)精彩的賽事。杰諾特（Sebastien Vandenberghe 飾）飾卡布隆吉的一名球員，他似乎和山姆有著不可化解的仇恨，因此不惜借助未知藥物的幫忙。誰想到注射藥物過后，杰諾特突然暴走，儼然變成了嗜血如命的僵尸，只是這一變故還沒有什么人察覺?！　÷L(zhǎng)的旅途過后，巴黎隊(duì)抵達(dá)駐地，山姆被當(dāng)做叛徒遭到家鄉(xiāng)人的謾罵。此時(shí)沒有人知道，即將到來的比賽中將會(huì)發(fā)生什么可怕的事件……

鬼滴語3

　　在那場(chǎng)悲劇發(fā)生25年后，一個(gè)年輕的少年發(fā)現(xiàn)了屬于他祖父的神秘盒子……

白石州往事

是中國獨(dú)立電影導(dǎo)演蔣潤(rùn)庭創(chuàng)作的科幻小說，在番茄小說網(wǎng)連載，以虛構(gòu)城市白石州市爆發(fā)“WOC-13”新型狂犬病毒為背景，通過多角色故事展現(xiàn)末日危機(jī)下的人類求生選擇。

明明不是我！

影片改編自淺倉秋成創(chuàng)作的同名小說，講述了一個(gè)在社交媒體上，毫無根據(jù)的信息被視為“真相”，并逐漸演變成重大事件的現(xiàn)代冤案恐怖故事。阿部寬飾演的主角是大型住宅建材公司的營業(yè)部長(zhǎng)山縣泰介，有一天突然在社交媒體上被指認(rèn)為“殺人事件的兇手”，個(gè)人信息被曝光。雖然完全無辜，卻被社會(huì)追捕、陷入“網(wǎng)絡(luò)風(fēng)暴”之中，不得不逃亡。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

平原上的迷途

　　卡洛比安奇和多里亞諾是兩個(gè)生活拮據(jù)的五十多歲男人，他們秉持著“絕不錯(cuò)過最后一杯酒”的人生哲學(xué)。在一次偶然的機(jī)會(huì)中，他們結(jié)識(shí)了朱利奧，一位性格內(nèi)向、對(duì)人生感到迷茫的建筑學(xué)學(xué)生。這場(chǎng)看似不經(jīng)意的邂逅，卻逐漸演變成了一場(chǎng)穿越威尼斯平原的混亂公路旅行。　　在旅途中，糟糕的建議、宿醉的困擾以及意料之外的友情，不斷挑戰(zhàn)朱利奧對(duì)人生和愛情的原有計(jì)劃。這場(chǎng)旅程不僅重新定義了他們彼此的生活，也讓朱利奧開始重新思考自己的未來方向。

歲歲平安