欲獸

評(píng)分：9.7 播放：42萬(wàn) 更新：2026-04-24

別名：美麗陷阱 一對(duì)在外人看來(lái)像姐妹的高依玲和徐婷，其實(shí)是同性戀者。由於高依玲已厭惡了這種不正常的豪情，還認(rèn)識(shí)了魏景仁先生，他是有婦之夫，但他容許短時(shí)間內(nèi)跟老婆離婚而立刻跟她成婚。高依玲信任他，并通知徐婷，徐婷卻不想完畢這一段愛(ài)情，成果... 在網(wǎng)上找不到的。敘述吳琦珊的小妹被幾個(gè)壞人輪暴割腕而死，吳立誓報(bào)仇，用本身美色逐個(gè)挨近方針并將它們殺死在床上，男友擔(dān)任這一古怪連環(huán)兇殺案，查來(lái)查去，逐漸真相大白，殺人者正是。。。。。 　　

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Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

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