鬼父2 下巻

血色斷片

　　安雅負(fù)責(zé)打理馬祖里森林深處的一座豪華別墅，專門(mén)接待前來(lái)度假的富豪租客。她的下一批客人是兩對(duì)情侶：富有魅力的萊昂與美艷動(dòng)人的埃萊妮，以及憨厚的布魯諾和他相戀多年的女友瑪格達(dá)?！　〔剪斨Z認(rèn)出了安雅——八年前，安雅的妹妹莫妮卡曾是萊昂的女友，卻死于萊昂汽車炸彈爆炸事件。盡管多方作證，萊昂仍以謀殺罪僅被判入獄八年。此刻的萊昂似乎刻意忽視這場(chǎng)重逢，只顧沉溺于縱情享樂(lè)，并暗中與布魯諾謀劃一樁見(jiàn)不得光的加密貨幣交易：二人背著老板，將黑錢投入數(shù)字貨幣市場(chǎng)，企圖在24小時(shí)內(nèi)通過(guò)幣值暴漲套現(xiàn)1000萬(wàn)。　　安雅同樣認(rèn)出了萊昂，渴望逃離別墅，卻又不得不留守看管財(cái)產(chǎn)。她與萊昂共飲一杯后……次日清晨竟在森林中驚醒，手中握著染血的刀。不遠(yuǎn)處河道里，她驚恐發(fā)現(xiàn)萊昂的尸體正隨水流漂浮。對(duì)于昨夜發(fā)生的一切，她毫無(wú)記憶，更不知該如何面對(duì)……

留低你個(gè)死人頭

　　蓋布麗（安琪拉·瓊斯 Angela Jones 飾）的童年里有一段非?？膳碌慕?jīng)歷，年幼的她曾經(jīng)在兇殺現(xiàn)場(chǎng)親眼目睹死尸。這一段奇異的人生經(jīng)歷讓蓋布麗開(kāi)始對(duì)尸體和死亡產(chǎn)生了好奇之心，這股子好奇隨著她年齡的增大越發(fā)強(qiáng)烈起來(lái)，蓋布麗甚至?xí)匾獾氖詹貓?bào)紙上的謀殺新聞做成剪報(bào)冊(cè)，時(shí)時(shí)翻閱溫習(xí)?！　∵~阿密接連發(fā)生兇殺案，被害者均是養(yǎng)尊處優(yōu)的闊太太，而且無(wú)不身首異處。這起連環(huán)殺人案件很快就吸引了蓋布麗的注意，為了能夠更加接近命案現(xiàn)場(chǎng)，蓋布麗來(lái)到了一間專門(mén)清理命案現(xiàn)場(chǎng)的保潔公司應(yīng)聘成為了員工，并且在機(jī)緣巧合之下同連環(huán)殺人犯（威廉·鮑德溫 William Baldwin 飾）有了一面之緣。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

外星+人

　　該片講述了道士們爭(zhēng)奪傳聞中神劍的高麗末期和外星人出沒(méi)的2022年之間的時(shí)光之門(mén)被打開(kāi)后，引發(fā)的異想天開(kāi)的故事。

在你的愛(ài)情里

手機(jī)有鬼

　　安娜在床上醒來(lái)，腦袋因?yàn)榍耙灰沟目駳g有些昏沉疼痛。她打開(kāi)手機(jī)，發(fā)現(xiàn)新增一款名為“伊麗絲”(IRIS) 的神秘互動(dòng)APP；它將好姊妹出軌的證據(jù)偷拍下來(lái)，還將不雅照、私密影片和訊息散布至臉書(shū)，監(jiān)控她的生活，周遭朋友紛紛卷入，陷入恐慌。　　安娜用盡一切辦法，欲將伊麗絲移除，卻引來(lái)致命殺機(jī)。不甘居于劣勢(shì)的她，決定正面迎擊…。

安昂傳奇：最后的氣宗

 派拉蒙和尼克宣布“降世神通”系列開(kāi)發(fā)三部新的電影，仍是動(dòng)畫(huà)形式。第一部由《降世神通：最后的氣宗》導(dǎo)演Lauren Montgomery執(zhí)導(dǎo)，《最后的氣宗》主創(chuàng)Bryan Konietzko和Michael DiMartino擔(dān)任制片人。