鄰居的優(yōu)雅妻子

7號(hào)房的禮物

 1997年，只有6歲兒童智商的智障男子李龍久（柳成龍 飾）和可愛(ài)的女兒藝勝（葛素媛 飾）相依為命，生活雖然簡(jiǎn)單清貧，卻充滿幸福。某天，執(zhí)著為女兒買美少女戰(zhàn)士書包的龍久意外卷入一起幼童誘拐奸殺案，而死者竟是警察局長(zhǎng)的女兒。龍久懵懂無(wú)知，搞不清狀況，昏頭昏腦就被投入監(jiān)獄。在7號(hào)牢房中，聚集著走私犯蘇楊浩（吳達(dá)洙 飾）、詐騙犯崔春浩（樸元尚 飾）、通奸犯姜萬(wàn)范（金正泰 飾）、恐嚇?lè)咐闲欤ń鸹鶢N 飾）和搶劫犯申奉植（鄭萬(wàn)植 飾）等五毒俱全的“社會(huì)渣滓”。龍久孩子般純潔的心漸漸感動(dòng)了這幾個(gè)“大壞蛋”，他們甚至不惜冒險(xiǎn)將藝勝帶入牢房與父親相會(huì)。黑暗冰冷的監(jiān)牢內(nèi)，7號(hào)牢房陽(yáng)光滿滿……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

棉花軟糖

在一個(gè)與世隔絕的夏令營(yíng)里，膽小又內(nèi)向的12歲男孩摩根陷入了一場(chǎng)噩夢(mèng)之中——曾經(jīng)被當(dāng)作傳說(shuō)的一個(gè)篝火故事竟變成了現(xiàn)實(shí)。摩根和他新結(jié)識(shí)的朋友們必須踏上一段危險(xiǎn)重重的旅程，并揭開(kāi)隱藏在表象之下的邪惡真相。

在你的愛(ài)情里

1和2

　　有一戶人家，他們世代隱居在由高墻和籬笆圍起的一方天地里。與世隔絕的他們不論外界的時(shí)代如何更替，文明怎樣進(jìn)展，仍然固守著古老的生活方式，簡(jiǎn)樸、素雅、純真。有時(shí)候，豐沛的陽(yáng)光會(huì)穿過(guò)茂密的守護(hù)森林，毫無(wú)保留地照耀著每一棵古樹(shù)、每              一寸厚土，也照耀著光影里兩個(gè)精靈般嬉戲時(shí)而消失又突然顯現(xiàn)的 少年?！　〕砷L(zhǎng)的路總不是一片坦途，正如叛逆的陣痛永遠(yuǎn)會(huì)如期而至。眼看著新鮮力量就要沖破這亙古的高墻和藩籬，然而母親的離奇暴斃，妹妹的突然失蹤，父親愈發(fā)的心事重重，都令少年更加堅(jiān)信自己身處在一個(gè)古老而危險(xiǎn)的秘密之中，而這個(gè)秘密的答案，也許就能解開(kāi)羈絆在自己和妹妹身上的神秘力量的終極謎題...... 

相遇之家

擁有15年資歷的資深女獄警，得知自己所負(fù)責(zé)的收容人美英母親的死訊，之后開(kāi)始展開(kāi)的故事。獄警在告別式場(chǎng)以及殯儀館遇見(jiàn)了美英的女兒俊英，這短暫的相遇，給三人的生活帶來(lái)了溫暖的變化。

恐怖列車

　　五名美國(guó)業(yè)余摔跤選手艾歷克斯（Thora Birch 飾）、托德、克萊爾、威利、謝爾頓，在教練帶領(lǐng)下遠(yuǎn)赴東歐參加摔跤比賽，雖然他們輸?shù)袅吮荣?，但?dāng)晚仍興致勃勃參加了派對(duì)，以致耽誤了第二天開(kāi)往敖德薩的火車，由于語(yǔ)言不通，他們一時(shí)買不到車票，一位說(shuō)英語(yǔ)的金發(fā)女郎出現(xiàn)，帶領(lǐng)他們登上了車站內(nèi)的一列紅色火車?！　「σ簧宪?，隊(duì)員們的護(hù)照便被形容猥瑣的男乘務(wù)員收去，這列經(jīng)過(guò)改裝的列車上賭場(chǎng)、餐車、休息室一應(yīng)俱全，隊(duì)員們很快遠(yuǎn)離其他語(yǔ)言不通的乘客，躲在休息室玩起了真心話大冒險(xiǎn)，然而在游戲進(jìn)行的過(guò)程中，托德消失在列車尾部，其他隊(duì)員也一一失蹤，艾歷克斯很快發(fā)現(xiàn)，她要獨(dú)自面對(duì)車上的幾個(gè)活體器官摘除者……