四大天王之伴游套餐

失蹤兒童錄像帶

杉田雷麟,平井亞門(mén),森田想,藤井隆

　　敬太（杉田雷麟 飾）的弟弟日向很久之前，在山中失蹤。敬太一直還在尋找弟弟。一天，他突然收到母親寄來(lái)的一盤(pán)舊錄像帶，里面是弟弟失蹤瞬間的錄像?！　【刺瞄L(zhǎng)通靈的室友（平井亞門(mén) 飾）從錄像帶中感受到了不祥的氣氛，并勸敬太不要過(guò)多地介入其中。 隨后，他倆與一直報(bào)道此事的記者 美琴（森田想 飾）共同前往了弟弟失蹤的那座山。

新凱旋門(mén)

克拉斯·邦,西瑟·巴比特·科努德森,澤維爾·多蘭,斯萬(wàn)·阿勞德,米歇爾·富,米沙·萊斯科特,讓·迪·弗埃,伊拉莉亞·卡布拉斯,亞歷山德羅·布雷薩內(nèi)羅,塞德里克·阿皮耶托,維比約克·莫林·阿格爾,弗朗索瓦·雷森,奧利弗·馬奎特,帕特里克·索貝爾曼,阿克爾·博薩,Jiang Hong Chen,紀(jì)堯姆·福雷斯蒂,塞西爾·杜克羅克,奧利維爾·加利安諾,本雅明·克萊里

1982年，法國(guó)總統(tǒng)弗朗索瓦·密特朗決定為其任期的旗艦項(xiàng)目——拉德芳斯大拱門(mén)發(fā)起一場(chǎng)國(guó)際建筑競(jìng)賽，該項(xiàng)目與盧浮宮和凱旋門(mén)對(duì)齊。出乎所有人意料，一位在法國(guó)鮮為人知的 53 歲丹麥建筑師約翰·奧托·馮·斯普雷克爾森贏得了競(jìng)賽。這位建筑師打算完全按照自己的設(shè)想建造大拱門(mén)，但他的理念很快與實(shí)際限制和政治變幻莫測(cè)相沖突。這部電影以真實(shí)事件為靈感，講述了這位理想主義的丹麥建筑師如何努力在政治博弈、官僚主義和藝術(shù)自由的限制下實(shí)現(xiàn)其宏偉愿景的故事。

迷失禁區(qū)

陳明民,梁鴻,王新宇,金晨曦

...

鱷魚(yú)萊萊

肖恩·蒙德茲,哈維爾·巴登,吳恬敏,斯科特·麥克納里,溫斯洛·費(fèi)格雷,布倫特·吉爾曼,薩爾·維斯庫(kù)索,多恩·迪皮塔,尤西·丘辟特,科拉·林德?tīng)?馬克·威爾斯,林賽·莫澤,丹尼·所羅門(mén)

　　影片改編自風(fēng)靡全球的同名繪本系列，肖恩·蒙德茲獻(xiàn)聲演唱鱷魚(yú)萊萊。　　故事講述了小男孩喬什·普利姆跟隨父母舉家搬進(jìn)大城市的新居，和一只住在閣樓上、能舞會(huì)唱的鱷魚(yú)成為好朋友的奇遇故事。自帶歡樂(lè)屬性的鱷魚(yú)萊萊治愈了難以適應(yīng)新環(huán)境的喬什，喬什也努力消除父母對(duì)萊萊的偏見(jiàn)。兩小只開(kāi)啟前所未有的都市歷險(xiǎn)，歷經(jīng)重重歡樂(lè)鬧劇，萊萊與普利姆一家最終成為了彼此的家人與伙伴。

天外來(lái)菌

本杰明·布拉特,克瑞絲塔·米勒,路易斯·費(fèi)雷拉,瑞克·斯克路德,米卡爾·蘇查內(nèi)克,艾瑞克·麥柯馬克,金大賢,Barry Flatman,Ted Whittall,Ted Atherton,安德魯·布勞爾,Roman Podhora,維奧拉·戴維斯,安娜·高爾文,Jonathan Potts,Ava Salomon,艾米莉·霍爾姆斯,Fred Keating,Denise Galik,Kurt Max Runte,Cory Dagg,胡安·卡洛斯·韋利斯,艾德里安·霍姆斯,Nicola Anderson,保

　　改編自Michael Crichton的同名暢銷(xiāo)小說(shuō)?！　〈似撬箍铺匦值苤貙?dǎo)2008年的電視劇而成的迷你劇?！　—q他州的皮德蒙特小鎮(zhèn)，一對(duì)男女情侶正在山上約會(huì)，突然一顆人造衛(wèi)星掉落。好奇的兩人將衛(wèi)星帶回小鎮(zhèn)，卻不知道也將可怕的遭難帶回了小鎮(zhèn)。突然間小鎮(zhèn)上爆發(fā)了可怕的病毒， 人們紛紛不明原因地死去。為防止病毒擴(kuò)散到其他城市，軍隊(duì)封鎖了小鎮(zhèn)，并派出了代號(hào)為“仙女座”的科學(xué)隊(duì)前去查明病源。隊(duì)員包括：傳染病學(xué)家Jeremy（本杰明·布拉特BenjaminBratt 飾）、外空生物學(xué)家Angela（克里斯塔·米勒 Christa Miller 飾）、微生物學(xué)家Tsi（金大賢 飾）、病理學(xué)家Charlene（維奧拉·戴維斯 ViolaDavis 飾）。同時(shí)，一個(gè)名叫Jack（艾瑞克·麥克馬奇EricMcCormack 飾）的記者似乎也在探尋著不可告人的秘密……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

死亡陰影

Gilles Barret,Margaux Devy,Sylvain Dubois

 法國(guó)青年克里斯（Fabian Wolfrom 飾），在他11歲時(shí)某個(gè)夜晚，哈雷彗星接近地球。似乎冥冥中有所感應(yīng)，他的父母在當(dāng)晚死于非命。此去經(jīng)年，哈雷彗星再度接近地球，全世界人民寄予極大關(guān)注，各種或科學(xué)或玄學(xué)的猜測(cè)層出不窮，熱議紛紛。對(duì)克里斯來(lái)說(shuō)這顆星體的造訪似乎沒(méi)有什么特別的，但是他卻發(fā)現(xiàn)周?chē)藗兊呐e止愈加怪異，人們?cè)絹?lái)越無(wú)法控制自己的情緒，各種暴力和暴動(dòng)此起彼伏，在所謂的末日為降臨前，眾生已經(jīng)陷入絕望的瘋狂之中。彗星蒞臨當(dāng)晚，克里斯受邀參加一個(gè)狂歡派對(duì)。誰(shuí)知未過(guò)多久場(chǎng)面便完全失控，各種嗜血惡徒出籠，展開(kāi)末日殺戮……