南京的基督

8.3 播放：65萬(wàn) 更新：2026-04-24

故事發(fā)生在一九零零年的冬天。日本名作家岡川龍一郎有一次在中國(guó)游學(xué)時(shí)，在南京秦準(zhǔn)河柳蔭兩旁赫然發(fā)現(xiàn)了青樓妓寨，如此繁華昌盛的享樂(lè)之地，令岡川為之贊嘆不已。在窄巷內(nèi)的一間藕香院里岡川邂逅了一名少女金花，立即被她明媚清秀的氣質(zhì)所吸引，從此注定了岡川與金花在往后的日子里充滿著愛(ài)恨糾纏的坎坷歷程。由相識(shí)至相愛(ài)，短短數(shù)天，岡川與金花的愛(ài)火已像熊熊烈火，到了不可收拾的地步。當(dāng)岡川回日本的時(shí)候，金花苦等不見(jiàn)愛(ài)人歸來(lái)，唯有將精神寄托在基督真神的虛幻中，日夜祈禱，藉此補(bǔ)償自我迷失的痛苦　

播放通道

詳細(xì)簡(jiǎn)介

故事發(fā)生在一九零零年的冬天。日本名作家岡川龍一郎有一次在中國(guó)游學(xué)時(shí)，在南京秦準(zhǔn)河柳蔭兩旁赫然發(fā)現(xiàn)了青樓妓寨，如此繁華昌盛的享樂(lè)之地，令岡川為之贊嘆不已。在窄巷內(nèi)的一間藕香院里岡川邂逅了一名少女金花，立即被她明媚清秀的氣質(zhì)所吸引，從此注定了岡川與金花在往后的日子里充滿著愛(ài)恨糾纏的坎坷歷程。由相識(shí)至相愛(ài)，短短數(shù)天，岡川與金花的愛(ài)火已像熊熊烈火，到了不可收拾的地步。當(dāng)岡川回日本的時(shí)候，金花苦等不見(jiàn)愛(ài)人歸來(lái)，唯有將精神寄托在基督真神的虛幻中，日夜祈禱，藉此補(bǔ)償自我迷失的痛苦　

同類推薦

愛(ài)爾蘭式告別

米歇爾·費(fèi)爾利,帕迪·詹金斯,James Martin,謝默斯·奧哈拉

 Set against the backdrop of a working farm in rural Northern Ireland, 'An Irish Goodbye' is a black comedy following the reunion of estranged brothers Turlough (Seamus O’Hara) and Lorcan (James Martin) following the untimely death of their mother (Michelle Fairley).Under the watchful eye of odd-ball parish priest Father O’Shea (Paddy Jenkins), the brothers’ pained reunion is worsened by the fact Turlough must now make new care arrangements for Lorcan, who has Down Syndrome. But when the brothers discover an unfulfilled bucket list belonging to their late mother, Lorcan senses an opportunity: he’ll only agree to leave the farm once he and Turlough have themselves completed every single wish on their mother’s list…all one-hundred of them.

柏林綜合癥

泰莉莎·帕爾墨,馬克思·雷邁特,馬蒂亞斯·哈比希,艾瑪·巴丁,艾爾邁拉·拜赫爾米,克里斯托夫·弗蘭肯,露西·阿倫,納西姆·阿瓦特,馬琳·斯特芬,圖索·勒克維,拉拉·瑪麗·繆勒,瑪雅·阿布斯貝格

　　澳大利亞攝影記者克萊爾（泰莉莎·帕爾墨 Teresa Palmer 飾）在柏林度假時(shí)邂逅了當(dāng)?shù)啬凶影驳希R克思·雷邁特 Max Riemelt 飾），一見(jiàn)鐘情的兩人共度春宵，激情過(guò)后意想不到的危險(xiǎn)來(lái)臨，克萊爾醒來(lái)時(shí)發(fā)現(xiàn)自己被安迪反鎖在家中，而安迪似乎并不打算讓她離開(kāi)……

維克多·弗蘭肯斯坦

詹姆斯·麥卡沃伊,丹尼爾·雷德克里夫,杰西卡·布朗·芬德利,安德魯·斯科特,馬克·加蒂斯,露易絲·布瑞麗,丹尼爾·梅斯,弗萊迪·?？怂?布隆森·韋伯,埃利斯戴爾·皮特里,斯賓塞·懷爾丁,卡勒姆·特納

　　正駐扎于倫敦的馬戲團(tuán)內(nèi)，生活著自幼駝背的青年（丹尼爾·雷德克里夫 Daniel Radcliffe 飾）。他的丑樣子只能供人家取樂(lè)，而青年獨(dú)獨(dú)熱愛(ài)醫(yī)學(xué)，尤其擅長(zhǎng)解剖學(xué)。在某次演出事故中，青年用自己的學(xué)識(shí)救下了摔成骨折命懸一線的女演員羅蕾萊（杰西卡·布朗·芬德利 Jessica Brown Findlay 飾）。他的學(xué)問(wèn)得到瘋狂科學(xué)家維克多·弗蘭肯斯坦（詹姆斯·麥卡沃伊 James McAvoy 飾）的賞識(shí)，于是后者想方設(shè)法將其劫了出來(lái)，還為其起名伊戈?duì)?。在此之前，弗蘭肯斯坦曾經(jīng)做出盜取動(dòng)物園死亡動(dòng)物尸體的事情，而他這一系列的做法只為進(jìn)行一項(xiàng)瘋狂大膽的實(shí)驗(yàn)，那就是縫縫補(bǔ)補(bǔ)創(chuàng)造出來(lái)人造的生物?！　’偪裰镁痛苏归_(kāi)……

不死真相

埃里克·羅伯茨,桑德拉·布萊克,阿什莉妮可布萊克,Hope Blackstock,C.J. Stussi,伊莎貝拉·洛厄爾

After an eccentric billionaire creates a drug called INOC which stops the aging process effectively eliminating death itself, the future of a world where death no longer exists is seen. Through a seemingly harmless children's toy, the story of the fate of mankind is told while also revealing an elusive truth to its unknowing spectator.

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.