西塔

幽靈鬼屋

　　影片靈感來自迪士尼樂園同名游樂設(shè)施，“在一個(gè)讓人不寒而栗的鬼屋中進(jìn)行一趟令人毛骨悚然的旅行，有幽靈、食尸鬼和超自然力量帶來的驚嚇”，聚焦一個(gè)搬進(jìn)了這棟豪宅的家庭。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

格吉（殺人鬼）

防空洞

一對(duì)朋友，一個(gè)德國(guó)人和一個(gè)俄國(guó)人，穿越時(shí)空最終來到了1941年。兩位朋友被迫做出決定，并要應(yīng)對(duì)他們無法想象的困難。他們的友誼能否度過難關(guān)，保羅和謝爾蓋又會(huì)站在哪一邊？

南部僵尸來襲

　　Lonnie, a crop duster pilot, must lead a mismatched group of survivors to escape the deadly zombie horde after an experimental chemical, intended to control the invasive kudzu vine, transforms the citizens of Charleston, MS into zombies.