即刻觀影
劇情賞析
編輯推薦
電影版 即便如此，我還是想和妻子做
風(fēng)間俊介,山野仁,島田鐵太,吉本實(shí)憂,熊谷真實(shí),近藤芳正,內(nèi)田慈本片改編自足立紳同名小說，電影版是包括未公開場景的導(dǎo)演剪輯版本。年過40卻依然不受歡迎的編劇、沒有收入的廢柴丈夫·柳田豪太（風(fēng)間俊介 飾），與吃軟飯一樣的丈夫和兒子一起維持生活、拒絕丈夫的邀請(qǐng)、還破口大罵的可怕妻子·柳田千花（MEGUMI 飾），兩人之間展開了又笑又哭的夫婦故事。
勝利之歌
詹姆斯·卡格尼,瓊·萊斯利,沃爾特·休斯頓,理查德·沃爾夫本片本講述的是：喬治·柯漢是本世紀(jì)前期著名的百老匯表演藝人，身兼演員、作家、作曲家與舞蹈家于一身，他的生平故事可以說反映了四十年代以前美國娛樂事業(yè)的生態(tài)。本片是導(dǎo)演邁克爾·柯蒂茲與編劇愛潑斯坦尼兄弟合作的另一佳片，描述柯漢從一個(gè)地位卑微的兒童演員力爭上游變成百老匯巨星的一生。以出色的制作和歌舞場面重現(xiàn)當(dāng)年的娛樂圈面貌，并側(cè)面反映了當(dāng)時(shí)的美國社會(huì)脈動(dòng)。在三十年代以主演黑社會(huì)片享有盛譽(yù)的詹姆斯·卡格尼改變戲路，在銀幕上又唱又跳，生動(dòng)而細(xì)膩地注釋了主人翁的形象和個(gè)性，因而勇奪奧斯卡最佳男主角金像獎(jiǎng)，片中出色的歌舞表演亦令人看得眉飛色舞
膚色
喬納森·塔克,杰克遜·羅伯特·斯科特,丹妮爾·麥克唐納,朗尼·查維斯,賈里德·戴,山姆·狄龍,邁克爾·維拉爾在美國小鎮(zhèn)一家超市的付款通道中，一個(gè)黑人對(duì)一個(gè)10歲白人小孩（JacksonRobert Scott飾）微笑，不曾想，這個(gè)善意的舉動(dòng)受到誤解，引發(fā)了幫派之間的對(duì)抗，并以驚人的結(jié)局收尾。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
魔鏡咒
Davina Karamoy,Ully Triani,Randy Nidji,Eduward Manalu,Beby Evelyn,Dian Sidik,Syifa Aulia恐怖和奇怪的事件困擾著瑪雅和她家人的生活，她懷疑舅舅和舅媽是幕后黑手，因?yàn)樗麄円恢毕胍@得瑪雅家從外公那里繼承的房子和土地。但是這種貪戀吸引了一股可怕的力量，這股力量的目標(biāo)是瑪雅全家。
不良教育2004
蓋爾·加西亞·貝納爾,費(fèi)雷·馬丁內(nèi)茲,丹尼爾·希梅內(nèi)斯·卡喬,路易斯·奧馬,弗朗西斯科·梅斯特,弗郎西斯科·博伊拉,胡安·費(fèi)爾南德斯,納喬·佩雷斯,哈維爾·卡馬拉,阿爾維托·費(fèi)雷羅,佩特拉·馬丁內(nèi)斯,Roberto Hoyas,阿古斯丁·阿莫多瓦,佩德羅·阿莫多瓦,波爾·莫南,薩拉·蒙鐵兒,蕾歐諾·瓦特林,何塞·馬利亞·亞茲皮克恩里克（費(fèi)雷?馬丁內(nèi)茲 飾）和伊格萊西奧（弗朗西斯科?拜奧拉 飾）是教會(huì)學(xué)校的同學(xué)，更是一對(duì)同性戀人。學(xué)校的莫雷神父以留下恩里克為誘餌占有了伊格萊西奧，但最終恩里克還是離開了教會(huì)學(xué)校。這對(duì)同性戀人也就勞燕分飛?！ 〕赡旰蟮亩骼锟艘咽且幻笥星巴镜膶?dǎo)演。一天，伊格萊西奧帶著劇本找到了恩里克，希望自己能出演男主角。劇本描寫的就是他們的成長經(jīng)歷加上想象的成年經(jīng)歷，恩里克對(duì)劇本十分感興趣，但卻不同意由伊格萊西奧出演?！ ‘?dāng)恩里克來到伊格萊西奧的家鄉(xiāng)時(shí)，秘密一幕幕揭開……