美洲獅學校

對魚的布道

　　達武德從戰(zhàn)爭中歸來，發(fā)現他村里的每個人都死于一種奇怪的疾病并且已經腐爛。 他的妹妹是唯一的幸存者，也正在慢慢腐爛。 達武德被他作為一名士兵的記憶所困擾，因為他面臨著唯一真正的問題：生存和生活一樣嗎？

猩瘋血雨

　　暑期返回夏威夷的露西（約翰尼·斯奎婭飾）與父親亞當（特洛伊·科特蘇爾 飾）、妹妹艾琳及寵物黑猩猩本團聚。趁父親因工作離家，露西與好友凱特（Kate）、漢娜（杰西卡·亞歷山大 飾）及凱特的哥哥尼克策劃了一場泳池派對。派對期間，本被一只患有狂犬病的動物咬傷，溫順的黑猩猩逐漸變得兇殘。眾人被迫困在泳池內，且在無法求援的絕境中，必須協作智斗發(fā)狂的本以保全性命。

鏡中人

　　十八歲女孩瑪麗亞（英迪婭·埃斯利 飾）經常受到同學欺負，使她變得自卑，害怕。有一天她發(fā)現鏡子里的另一個她，艾蘭?！　“m（英迪婭·埃斯利 飾）既勇敢又無畏，幫助瑪麗亞開啟了復仇之路......

詛咒：納扎爾

銀河守門員

　　2071。銀河戰(zhàn)爭摧毀了月球，改變了地球的氣候。莫斯科是熱帶森林，紐約是一片冰。在莫斯科上空升起一艘巨大的外星飛船-這是一個體育場，在那里進行了星際太空游戲的表演，聯合體育和角斗士的戰(zhàn)斗。整個銀河系都在看比賽。只有運動員才能玩太空。這就是人們所說的那些具有非凡能力并能夠管理這些能力的人。宇宙崇拜的一切，除了安東，最普通的人，誰只是夢想找到一份工作來幫助家庭。但有一天，他發(fā)現自己的超能力，并接受加入國家隊?，F在他是一個宇宙飛船的球員。安東還不知道這場比賽的命運決定了他的角色，最后的比賽將是一場為土地而戰(zhàn)。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

青出于藍2025

　　DEA agent and partner pursue thieves: their own rebellious teens, who began robbing cartel using parent tactics and classified intel.