下水道的美人魚(yú) 世界十大禁

友情的游戲

　　A group of teenagers in a small town discover a strange object that tests the strength of their friendship.

逃離地下天堂

 西元2274年人類(lèi)居住在由電腦控制的城市中，在這個(gè)城市中無(wú)優(yōu)無(wú)慮，可自由毫無(wú)拘束的追求享樂(lè)；但到30歲時(shí)每一個(gè)人必須接受考驗(yàn)，一個(gè)探究永恒、重生的試煉……

教皇行動(dòng)

蠱鎮(zhèn)

　　When a cult that worships mind-altering parasites takes over a small town, a trio of women in lockdown are dragged into a fight for survival and revenge.

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

懸案密碼3：信仰的陰謀

　　《懸案密碼》系列的第三部：6年前，一只在海上漂流的瓶子在蘇格蘭被打撈上岸，然而里面的求救信卻被視為不祥之物，直到一位調(diào)查人員無(wú)意中看出了信件開(kāi)頭用丹麥文寫(xiě)著：救命！隨著卡爾和兩名下屬的破解，他們發(fā)現(xiàn)署名“保羅”的作者不僅確有其人，而且在寫(xiě)下瓶中信后便下落不明......　　為何少年的家人不曾追究他的行蹤？難道他在多年前便已遭遇不測(cè)？正當(dāng)調(diào)查陷入膠著，一起離奇車(chē)禍讓原本天衣無(wú)縫的邪惡罪行露出破綻，串起所有線(xiàn)索的卡爾這才明白，自己面對(duì)的并不單是一樁陳年舊案，而是過(guò)去十幾年來(lái)，許多破碎家庭的絕望呼救…