劇情縱覽
Veronica因家產爭執(zhí)而被繼母送進一家指導學校。在這家學校中Veronica受盡各種虐待,但是堅決不簽署繼母需要的法律文件。時間慢慢過去,Veronica卻發(fā)現自己的身體已經開始習慣這種SM,甚至開始上癮。她又會如何在這家學校里生存下去呢? 在IMDB上這部片子被歸屬于Les類片子,片中出演的女演員們確實值得一看。
Veronica因家產爭執(zhí)而被繼母送進一家指導學校。在這家學校中Veronica受盡各種虐待,但是堅決不簽署繼母需要的法律文件。時間慢慢過去,Veronica卻發(fā)現自己的身體已經開始習慣這種SM,甚至開始上癮。她又會如何在這家學校里生存下去呢? 在IMDB上這部片子被歸屬于Les類片子,片中出演的女演員們確實值得一看。
即將臨盆的李晴(李貝貝飾)被帶往一處郊區(qū)別墅靜心待產,卻在看似周密的照護背后,落入一場精心布局的驚天陰謀。身邊所有人都試圖讓她相信一個被構造的“真相”,精神壓力與詭譎氛圍不斷侵蝕她的判斷力,使她難以區(qū)分現實與幻覺。隨著恐慌升級,她隨身攜帶的DV成為突破迷局的重要線索,故事走向也隨之產生翻轉。
蘭斯林(丹尼斯·奎德 Dennis Quaid 飾)警官同時也是一個單身父親,因公務繁忙,他無暇照顧兩個兒子,大兒子亞歷克斯無形中時常扮演父親的角色。最近蘭斯林被一樁連續(xù)殺人案纏住,每個兇案現場都發(fā)現了至少四名嫌疑人的蹤跡,并且統一留下了“過來看”的血色留言,死者死于懸掛的狀態(tài)充滿了宗教意味,蘭斯林從人體懸掛的鐵架入手,發(fā)現這一干罪犯以殺人作為宗教儀式,并且以啟示錄中記載的“天啟四騎士”自居。第一個受害者的華裔養(yǎng)女克里斯?。ㄕ伦逾?飾)主動找到蘭斯林,坦承了自己與連續(xù)殺人案的關系,但是這不能阻止更多人受害,蘭斯林驚見自己最不愿意看到的事情發(fā)生了……
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
毎年夏と冬に怪獣映畫を公開する東寶との直接対決を避けて春休みに公開することになった“ガメラ“シリーズ。富士火山帯の活動で出現したギャオスは、名古屋を火の海にするが、炎を好むガメラが現れ、陸?海?空を舞臺に死闘が展開される。