劇情縱覽
影片改編自真實(shí)故事《穿婚紗的殺人少女》。刑滿釋放人員老秦(范偉 飾)服刑30年后出獄,只想娶妻生子,開(kāi)啟新的人生,卻意外結(jié)識(shí)同樣剛出獄的女孩常娟(周冬雨 飾)。他求子,她求財(cái),“同是天涯淪落人”的兩人開(kāi)始了一段各懷目的的利益婚姻。
影片改編自真實(shí)故事《穿婚紗的殺人少女》。刑滿釋放人員老秦(范偉 飾)服刑30年后出獄,只想娶妻生子,開(kāi)啟新的人生,卻意外結(jié)識(shí)同樣剛出獄的女孩常娟(周冬雨 飾)。他求子,她求財(cái),“同是天涯淪落人”的兩人開(kāi)始了一段各懷目的的利益婚姻。
泥娃娃,泥娃娃,一個(gè)泥娃娃?? 童謠的背後,隱藏著神秘驚悚的故事。在遊戲公司工作的旭川(楊祐寧 飾),為開(kāi)發(fā)一項(xiàng)新的恐怖VR遊戲,意外將一尊來(lái)自兇宅現(xiàn)場(chǎng)的殘破泥娃娃帶回家,沒(méi)想到懷有身孕、身為文物修護(hù)師的妻子慕華(蔡思韻 飾)對(duì)其產(chǎn)生異常執(zhí)念,不斷進(jìn)行修復(fù)。隨著家中怪事頻傳,慕華狀態(tài)也越來(lái)越虛弱,旭川無(wú)計(jì)可施,輾轉(zhuǎn)求助通靈驅(qū)魔人阿生(張軒睿 飾),而泥娃娃背後深埋的駭人祕(mì)密,也隨之浮出水面??
2008年金融危機(jī)下,美國(guó)內(nèi)華達(dá)州昂皮爾小鎮(zhèn)的重要經(jīng)濟(jì)支柱石膏廠倒閉,人去鎮(zhèn)空,這里的郵政編碼也被取消。丈夫去世后,幾乎在在昂皮爾小鎮(zhèn)度過(guò)了一生的弗恩(弗蘭西斯·麥克多蒙德飾)無(wú)力獨(dú)撐生活。為了將生活成本壓到最低,她將簡(jiǎn)陋的家當(dāng)搬上了改裝后的廂式貨車,開(kāi)始了一邊打工、一邊西行的公路生活。她在亞馬遜流水線上、在游樂(lè)園的咖啡廳里、在國(guó)家森林公園做臨時(shí)工。一路上,她和許多廂式貨車寄居者相遇、相識(shí),彼此幫助,并締結(jié)了友誼。
The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.
Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth. With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50. Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned. Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.