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劇情提要
埃里克8歲第一次與她母親去桑拿洗浴。 首先,埃里克覺得在大群陌生人的L體面前不舒服,但最終他喜歡了它...
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詭秘陰宅
茱莉亞·克斯奇茲,Marii Weichsler,邁克爾·品克,Leon Orlandianyi,Inge Maux,Finn Reiter,Benno Rosskopf,Lars Bitterlich,Lisa Stern,Christina Cervenka孤獨監(jiān)禁
大衛(wèi)·奧伊羅,魯奇婭·伯納德,吉米·費爾斯,奧利維亞·華盛頓,托馬斯·卡德羅特,亞歷山大·索托,Naomi Simpson,瑞恩·馬爾凱,Gerardo Barcala,凱特·蓋多西克,Trell Isaac,Julie Nolin,Matthew Mylrea,Aiden Stoxx,Alexander Davis,Glenn Hoffmann,巴里·佩珀,Nigel Gentry,Gavin Turnbull,Yorkie Joaquin我的同桌是極品2
赫子銘,苑喬,阿仁牯嶺街少年殺人事件
張震,楊靜怡,張國柱,王啟贊,林鴻銘,金燕玲,王琄,張翰,姜秀瓊,賴梵耘,柯宇綸,譚志剛,馮國強,陳湘琪,金士杰臨時家族
張雙利,盛朗熙,李洛伊定時拍攝
丹妮爾·帕娜貝克,馬特·歐萊瑞,阿明·約瑟夫,莎朗·摩翰,喬治·芬,杰森·斯皮薩克,David Figlioli,Judith Drake,Mark C. Hanson精靈寶可夢:幻影的霸者索羅亞克
松本梨香,大谷育江,上田祐司,豐口惠美,小櫻悅子,加藤夏希,塚本高史,林原惠美,中川翔子,山寺宏一,樸璐美,間宮胡桃幕后花絮
黑暗收割
大衛(wèi)·斯雷德(《漢尼拔》)將為米高梅執(zhí)導(dǎo)新片[黑暗收割](Dark Harvest,暫譯)。影片根據(jù)同名恐怖小說改編,邁克爾·吉里奧([龍與地下城])撰寫劇本。故事發(fā)生在1963年的萬圣節(jié),圍繞著一個叫“十月男孩”展開。每年萬圣節(jié),他都會手拿屠刀,從玉米地里爬起來,走向小鎮(zhèn)。無論是獵人還是獵物,“十月男孩”都是一年一度生死儀式的獎品。皮特知道,殺死“十月男孩”是他逃離這個窮途末路的小鎮(zhèn)的唯一機會。他愿意冒著生命危險去贏得勝利。但在夜晚結(jié)束之前,皮特將發(fā)現(xiàn)“十月男孩”可怕的真正秘密。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.