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謀殺穆巴拉克
潘卡·特里帕蒂,迪寶·卡帕蒂婭,維杰·維瑪,卡瑞詩(shī)瑪·卡普爾,薩拉·阿里·汗,蒂絲卡·喬普拉,庫(kù)納爾·赫姆,桑杰·卡普爾,Tara-Alisha Berry,Kiara Sadh,Hardika Sharma,Alok Panwar,Neeraj Saidawat,Ashok Chhabra,Amaara Sangam瘋狂伊薩克
德芙·卡梅隆,RJ·米特,Austyn Knight,羅伯特·拉薩多,Gigi Gustin,Jay Giannone富貴逼人來(lái)
彼得·塞勒斯,雪莉·麥克雷恩,茂文·道格拉斯,杰克·沃登,理查德·貝斯哈特七月寒潮
邁克爾·C·豪爾,山姆·夏普德,唐·約翰遜,凡妮莎·肖,懷亞特·拉塞爾月球漫步2024
柳承穆,黃智雅,金敏京,宋東煥獵戰(zhàn)狂徒
鄭楚一,魏曉璇,文東俊,曾晨,鄒兆龍,盧惠光,邢瀚卿,英壯,梁焯滿,閔政,孫蛟龍,王澤宗,王洪千,包小平,任珅,吳豪,徐寧,趙思陌,楊光,朱翔,張振宇同類精選
一個(gè)明星的誕生1937
珍妮·蓋諾,弗雷德里克·馬奇,阿道夫·門吉?dú)W,梅·羅布森,安迪·德懷恩,萊昂內(nèi)爾·斯坦德,歐文·摩爾,佩吉·伍德,埃德加·肯尼迪,J·C·紐金特,吉恩·威廉姆斯,簡(jiǎn)·阿克,Eric Alden,歐文·培根,Jane Barnes,文斯·巴尼特,克拉拉·布蘭迪克,韋德·博特勒,西德尼·布雷西,Harry C. Bradley,Lynton Brent,海倫·查德維克,喬治·錢德勒,Virginia Dabney,Billy Dooley,赫伯特·埃文斯,雷克斯·埃文斯,帕特·弗萊厄蒂,弗朗西斯·福特,Tri分享鎮(zhèn)
達(dá)科塔·約翰遜,阿德里婭·阿霍納,凱爾·馬文,邁克爾·安蓋洛·科維諾,西蒙·韋伯斯特,查理·吉爾萊斯皮爾,大衛(wèi)·卡斯塔尼達(dá),O·T·法格本,娜赫瑪·里琪,蒂龍·本斯金,尼可拉斯·博朗,萊奧·亨尼利,羅賓·吉倫,利蒂希婭·布魯克斯,泰勒·豪爾,艾米麗·歐康納,盧克·麥克菲爾,讓-克勞德·莫萊斯,賈·旁,杰西卡·馬圖琳,斯蒂芬·阿德科魯,尼古拉斯·波舍爾他年她日
許光漢,袁澧林,陳澤耀,韓佩瑤,董瑋,陳輝虹,駱振偉,許恩怡,謝詠欣X--未知的元素
Dean Jagger,Edward Chapman,Leo McKern,Anthony Newley彈道無(wú)痕
趙巖松,陳大偉,王玉璋,劉大偉,魏琦泰國(guó)派
普洛伊·索娜琳,Machida Sutthikulphanich,Yorch Yongsin Wongpanitnont,Phintusuda Tunphairao,Yongsin Wongpanitnon,Lita Janvarapa,Jetarin Ratanaserikiat影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
絕種鐵金剛
梁家輝,毛舜筠,陳小春,鐘欣潼,陳冠希,田樸珺著名影星詹二幫(梁家輝飾)常常出演一些英雄類人物的角色,但現(xiàn)實(shí)生活中卻膽小如鼠,使深愛的妻子曼瓊(余安安飾)離開了他,自此他便跟兩個(gè)女兒忌廉(鐘欣桐飾)與脆皮一起生活了。 鐵男(陳小春飾)與Janet(田樸珺飾)均是國(guó)際刑警,得知恐怖分子龍一(徐錦江飾)將到香港去取另外的生化武器,在香港與恐怖分子交手的過程中,誤入了二幫的家里,鐵男被注射了智力退化的病毒,智商只有4歲兒童的程度。曼瓊從好萊塢回來(lái)打算跟二幫商議合作的事情,卻遭到恐怖分子的闖入,他們得知丟失的病毒就在二幫家中?! ≡谂c恐怖分子斗爭(zhēng)的過程中,二幫為了女兒為了前妻,顯現(xiàn)出以往少有的勇敢才智,順利抓拿犯罪分子以為,還贏回了家庭團(tuán)員。
開心鬼撞鬼
黃百鳴,張曼玉,袁潔瑩,陳加玲,徐克,曹查理生前是過氣女歌星的女鬼徐半香(張曼玉),算準(zhǔn)某名將要臨盆的孕婦會(huì)于某間醫(yī)院生產(chǎn),準(zhǔn)備投胎重新做人,不想,該孕婦被搖身變作某所高中教師的開心鬼(黃百鳴)送錯(cuò)醫(yī)院,徐半香錯(cuò)過投胎時(shí)機(jī)?! 樾剐念^之恨,徐半香開始想方設(shè)法捉弄開心鬼,最甚一次,她附身開心鬼班里女班長(zhǎng)(袁潔瑩),令她跑到夜總會(huì)稀里糊涂地大鬧了一場(chǎng),結(jié)果在該家夜總會(huì)尋歡作樂的一群流氓被抓,開心鬼受到無(wú)辜牽連,徐半香又得意又擔(dān)憂之時(shí),開心鬼卻用愛來(lái)感化她,眼看皆大歡喜,出獄后的流氓不請(qǐng)自來(lái)。
總統(tǒng)的蛋糕
Banin Ahmad Nayef,Sajad Mohamad Qasem,Waheed Thabet Khreibat,Rahim AlHaj人人都中頭獎(jiǎng),難道人人都想中頭獎(jiǎng)?九十年代伊拉克經(jīng)歷軍事及經(jīng)濟(jì)制裁,獨(dú)裁者薩達(dá)姆無(wú)懼動(dòng)亂,勒令全國(guó)為自己慶祝生日。九歲女孩「喜獲頭獎(jiǎng)」成為學(xué)校代表,被迫接下為總統(tǒng)炮制生日蛋糕的國(guó)家級(jí)重任。然而通貨膨脹、物資匱乏,雞蛋面粉都是奢侈品,女孩帶著寵物公雞,從沼澤向城市出發(fā)搜羅食材,完成這項(xiàng)國(guó)家交給她的任務(wù)!首有伊拉克電影進(jìn)軍戛納,編導(dǎo)借小女孩充滿稚氣卻堅(jiān)韌的目光,展現(xiàn)伊拉克從未被記錄過的一面,獻(xiàn)給在戰(zhàn)亂下仍能找到愛與友誼的小孩。戛納電影節(jié)金攝像機(jī)最佳首作。