環(huán)游世界秀肉

5.9 播放：82萬 更新：2026-04-24

英文名：Jorden runt med Fanny Hill (1974) 在斯德哥爾摩，范妮;希爾是厭倦了做家庭主婦，她懷疑她的丈夫羅杰，誰包圍的小明星一個(gè)電視廣告導(dǎo)演，是在欺騙她。于是，她設(shè)置了他的陷阱與她的朋友莫妮卡，離婚文件和頭到好萊塢，與莫妮卡，以滿足電影明星。她落入一個(gè)電影事業(yè)，有很多L體場面，而且當(dāng)它把她從洛杉磯到香港，威尼斯，羅杰跟隨她，嫉妒，希望能贏得她的背。在每一個(gè)城市，她的行為和她引誘，使喜劇了兩個(gè);但她的心臟仍然屬于羅杰？它是在慕尼黑找出來。 　　

播放通道

詳細(xì)簡介

英文名：Jorden runt med Fanny Hill (1974) 在斯德哥爾摩，范妮;希爾是厭倦了做家庭主婦，她懷疑她的丈夫羅杰，誰包圍的小明星一個(gè)電視廣告導(dǎo)演，是在欺騙她。于是，她設(shè)置了他的陷阱與她的朋友莫妮卡，離婚文件和頭到好萊塢，與莫妮卡，以滿足電影明星。她落入一個(gè)電影事業(yè)，有很多L體場面，而且當(dāng)它把她從洛杉磯到香港，威尼斯，羅杰跟隨她，嫉妒，希望能贏得她的背。在每一個(gè)城市，她的行為和她引誘，使喜劇了兩個(gè);但她的心臟仍然屬于羅杰？它是在慕尼黑找出來。 　　

同類推薦

東北奇妙故事

李明,馮筱童,張雪菡

哲學(xué)系學(xué)生肖墨到殯儀館實(shí)習(xí)，試圖探尋“生死”答案，卻遭遇導(dǎo)師陳輝離奇死亡。村里流傳一口“應(yīng)聲井”可讓人起死回生。陳輝之子死于事故后，陳輝在古井許愿，次日離奇失蹤。肖墨隨神秘殯葬師老白頭返村調(diào)查，老白頭以科學(xué)逐一破解“靈異”現(xiàn)象：井中尸體、養(yǎng)女上吊、濃霧里的鬼打墻等怪事背后皆是精心布局的騙局。當(dāng)執(zhí)念遭遇科學(xué)，謊言被真相撕裂，眾人方知真正的深淵不在井里，而在人心。

隱藏殺手

凱爾·麥克拉克倫,邁克爾·諾里

　　一個(gè)異形在美國流竄，為了得到它想要的，它殺掉所有擋它路的人，并且用他們的身體作為新的藏身之所，它不斷追尋的是生命的能量，然而另一個(gè)借用了一個(gè)死去的FBI探員身體的異形對它緊追不舍，無數(shù)無辜的人們在這場追擊中喪生

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

利益區(qū)域

克里斯蒂安·富里道爾,桑德拉·惠勒,約翰·卡特豪斯,拉爾夫·赫爾福特,弗雷婭·克羅伊茨卡姆,馬克斯·貝克,伊摩根·蔻格,斯蒂芬妮·佩特羅維茨,拉爾夫·齊爾曼,瑪麗·羅莎·提特言

 電影講述了奧斯維辛集中營的指揮官魯?shù)婪颉せ羲购退钠拮雍５罗备裨诩袪I旁的一所房子里和花園中為他們的家庭打造夢想生活的故事。

不良街區(qū)

張本煜,黃塏翔,劉揚(yáng),町田悠宇,粘土大介

　　由一樁荒誕的“衛(wèi)生巾殺人魔”案件展開，講述了幾個(gè)在日本的中國人，陰差陽錯(cuò)地卷入一場黑幫斗爭，與日本毒梟斗智斗勇的故事。他們一個(gè)是幫派面臨倒閉妄圖自裁的幫派老大、一個(gè)是吊兒郎當(dāng)?shù)暮趯?dǎo)游、 一個(gè)是殘暴歹毒的黑幫毒梟、一個(gè)是唯利是圖的歌舞伎町老板、一個(gè)是胸懷大志卻碌碌無為的警 探，每個(gè)人為了達(dá)到目的經(jīng)歷了一番復(fù)雜而有趣的遭遇?！　≈鹘莿傉且粋€(gè)在日本漂泊的“老炮兒”，親手建立的幫派日益衰落，試圖自裁卻意外卷進(jìn)命案，發(fā)現(xiàn)了驚人的秘密。對正義與規(guī)矩的堅(jiān)守，使他選擇與日本黑幫毒梟正面對決。